Desert: Who Is the Man?

Fantasizes an 'Old' Middle East, wherein communities were not divided along ethnic and religious lines; a Middle East in which even metaphorical borders had no place

The Making of a Dream is a cinematic essay on stories of dancers. It shows joys and pains from the first steps in an amateur school to the goal to become a principal dancer in a world known ballet company.

The key to the communal laundry room in the block of flats on the Rue de Genève 85 in Lausanne serves a much greater function than merely unlocking the door. This encounter between a symbol of typical Swiss mentality with a penchant for order and the tenants who have been housed here by the city’s social services department is not something to be taken for granted. Although the laundry room is normally located in the cellar, the tenants in this building share a tiny laundry room off the entrance hall because the cellar is reserved for prostitution. To maintain order and cleanliness, the landlord hires Claudina, a new “laundry woman”.

A l'ombre de la montagne

A documentary. David Sieveking takes the advice of his idol, David Lynch and tries out Maharishi Mahesh Yogi's transcendental meditation technique.

What becomes history, what feeds memory, what shapes an era? Images found in the dustbins of history. Taken out of context, fragments, testimonies and unpublished documents intermingle, interweave and collide. They take on a new meaning, a dimension of authentic proximity. The peregrination touches on the advent of the atomic bomb, the military trials at the end of the war, the lie detector, the discovery of the Majdanek camp; Einstein, Lenin's embalmer, the KGB agent, the American spy rebuilding his life in Russia, the Yugoslav war sniper all have their say.

L'autre versant de Gstaad

Women bring children into the world. But when, as in the case of Sandra, Jasmine and Jennifer, you're not yet eighteen and your belly is starting to round out, that's when people look at you sideways. And once the baby's here, life with a child is a far greater challenge than we ever imagined in our rosy teenage dreams. A long-term study of three very young mothers, their children and their fathers. A film about their first great love, their professional futures and their dreams for the future.

The incredible story of how the mummified corpse of a 40-year-old man was discovered by a hunter in one of the most remote parts of the country. The dead man's detailed notes reveal that he actually committed suicide through self-imposed starvation only the summer before. Liechti's film is a stunning rapprochement of a fictional text, which itself is based upon a true event: a cinematic manifesto for life, challenged by the main character's radical renunciation of life itself.

Pascal, Miranda, Jeremy and Franziska are real gypsies. They're between 17 and 25, love big powerful cars and have decided to live on the move. Like many other young Yenish people. They need freedom and fight for it. They show a world closed to the sedentary. A different but very Swiss life. Today's Romanis: disenchanted, close to reality.

Le crépuscule des Celtes

Le Hibou et la baleine, Nicolas Bouvier

More than 10,000 street children live in magical, bustling St. Petersburg. But here's Larissa, with her Cirque Upsala: she takes these outcasts and catapults them to unsuspected heights. From the Streets to the Stars takes us on a fascinating journey, from the depths of the Russian slums to the limelight of the circus world, via the adventures of a Swiss tour. It follows 6-year-old Danja, the rising star of the circus; Mischa, who is taking on responsibility for the first time in her life; the enigmatic street child Nastja; and the troubled Igor, whose single mother is completely overwhelmed by her 4 children.

Greina

Ina, Amer & Elvis

Ce cher musée

Feltrinelli

The Art Foundry

The film is the story of a musical encounter between drummers Pierre Favre, Fritz Hauser, Daniel Humair and Fredy Studer. The filmmaker brought them together in Zurich on January 6, 1997, and followed them over four days of rehearsals. The confrontation between these very different artists culminates in a concert.

Thirty female prisoners share the convicts’ ward of Tuilière Prison at Lonay. More than half of them have one or more children being raised elsewhere: with a sister, in a foster family, or – further away still – in their countries of origin. In portraying some of these women, the film sheds light on these mothers and the bond that ties them to their children.