The Seed follows the events surrounding a homeless veteran named Ken Mercado, played by Will Yun Lee. Living along the banks of the Los Angeles River, he is attacked by masked men in black vehicles, invisible to the eye. To any passers-by, Mercado appears to have some sort of mental illness, but as he is chased throughout the city, it is revealed to the audience that he is not in fact paranoid, but rather the victim of a government conspiracy. Sung's adversaries are visible to him, yet only visible to the audience part of the time. At the end of the film, an alien ship is visible in the sky, watching the scene.
Lost in the frozen depths of the Atlantic a German U-Boat crew find themselves on a collision course with objects stranger than they can fathom. The truth leaves them bathed in confusion in this submarine drama of domestic proportions.
Three troubleshooters are sent into a remote field to fix a broken cable. The cold, too much ardour and a little bit of vodka will make their work useless.
A hard story about two comrades who share a lot of bad memories, a lot of bad conscience and mountains and mountains of cigarettes.
A man's repeated attempts to retrieve an apple off a high tree branch all prove fruitless. What does he want the apple for? That would be telling.
Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy 'Anna', despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery...
Short documentary film on the beauty contest of children held at Torino. Some sequences are used in Peter Delpeut's Lyrisch nitraat.
Within a single space, the director treats the sorrows of two people married to each other.
Saved from shipwreck, a little girl is taken into the protection of the North-African tribal chief and named "Zohra".
In "Falling. Desert. Syn" there is the body of repetition—not of tautology but of smooth resurrection; a body dying and being resurrected in a dance without suffering. A body of the desert, which is not deserted, but instead possessed by a force of attraction towards the sky, a force as strong as the one towards the earth. A body for the stars, the same one which plunges into the underworlds.
Shurochka, the film’s hero, spends her life walking from one village to another in order to weigh tractors. Yet, this makes just one part of her existence. She dances to Utiosov’s songs, she smiles to the pictures of old Soviet actresses and shows a wonderful taste for life amidst the lonely provincial disorderliness.
John Grey’s ‘Maybe’ is a short film about a man and a woman who wait together at a bus stop. While waiting the man can’t help but wonder if this girl is the girl of his dreams.
The annual ghost convention introduces swing music to their tired out old scares.
A henpecked husband's innocent friendship with a married woman leads to chaos.
A woman wearing a pair of headphones listens to music. Using their eyes and ears, the audience shares this sensory experience through the mental pictures generated by the music.
Enigmatic, stop-motion, animated story of a man's day.
In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.
Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.
A porcelain doll’s explorations of a dreamer’s imagination.
The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.