Wanda Gosciminska – A Textile Worker

A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.

When a feature film is made about them seven years after their break-up, Benjie Nycum visits his ex-boyfriend Michael Glatze and finally tries to get answers about his bewildering shift from gay activist to ex-gay evangelical.

A journey into four classical elements through the four main characters of the film. The main characters in the movie represent each of their own elements.

Prêtres interdits

As the Communist Party of China celebrates its 100th anniversary, this documentary looks back at the party’s history, from the 1920’s, to the Civil War, the Great Leap Forward, the Great Famine, the Cultural Revolution and the reforms by Mao Zedong and Deng Xiaoping. Did the Great Famine cost more than 15 million lives? How does the Cultural Revolution continue to shape Chinese politics today? What was capitalism like after Mao’s death? Through rare and never-before-seen historical footage, expert interviews and eyewitness accounts of the Great Famine, Tiananmen incident, and the Cultural Revolution, get to know how one party has so profoundly shaped China.

Though Henry Kissinger is often giving short statements to the media, he refuses detailed interviews about his own life. Now he has agreed to answer questions about his person in an extensive documentary.

Pitch Black takes us inside the claustrophobic worlds of three young men immersed in the online black-pill subculture, as they struggle to reckon with their actions.

HORIZONTE EM RUÍNAS

'After Haiyan' is a short film about the challenges faced by the Deaf community in Tacloban, Philippines accessing disaster relief, medical care, and basic services after Typhoon Haiyan, known locally as Yolanda.

Two journalists born in the mid '80s decide to take a look back at how their country changed in the last 30 years since the fall of communism. The end product is a documentary containing footage of political events and historical milestones significant to Romania accompanied by a narrator's voice walking the viewer through the events, and also interviews with Romanian politicians and other influential public figures sharing their thoughts and their different views on those events.

The Great Northwest is a documentary film based on the re-creation of a 3,200 mile road-trip made in 1958 by four Seattle women who thoroughly documented their journey in an elaborate scrapbook. Fifty years later, Portland artist Matt McCormick found that scrapbook in a thrift store, and in 2010 set out on the road, following their route as precisely as possible and searching out every stop in which the ladies had documented. Patiently shot with an observational, cinema-vérité approach, The Great Northwest is a lyrical time- capsule that explores how the landscape, architecture, and culture of the Pacific Northwest has changed over the past fifty years.

A documentary film exposing the truth about psychics and fortune-tellers. All the ins and outs of magical TV shows and services of the most famous psychics with evidence, names and prices.

This visual essay by John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, reveals the locations where Keaton's 1927 comedy feature College was filmed in Hollywood, Los Angeles, and Orange County. A compilation of short films produced between 1917-1922. Coney Island (1917), Back Stage (1919), Convict 13 (1920) and Daydreams (1922).

Weapons of Mass Disruption

The director explores the birth origins of actress Merle Oberon, traveling to Tasmania and India in search of the truth, but her quest ultimately results in probably more questions than it answers.

The story was born from the pen of debutante Callie Khouri: Thelma, married to a macho man, and Louise, an independent waitress, go on a girls' getaway that turns into a runaway when the latter, during a stopover in a bar, shoots a man who was trying to rape her friend. But at the dawn of the 1990s, screens were dominated by testosterone-fueled opuses, and Hollywood studios were reluctant to entrust the steering wheel to a female duo. Seduced by the script, forwarded by his associate Mimi Polk, Ridley Scott agreed to produce the film and decided, against all odds, to direct it himself. Under the British director's watch, the two accidental outlaws, fabulously portrayed by Susan Sarandon and Geena Davis, flee across the vastness of the Far West on an emancipatory epic that sees them defy male oppression and reveal themselves to themselves.

Filmed in 1974 and edited and released in 1983 (and then rereleased by its director in 2005), DEAD PEOPLE purports to document the final years of Frank Butler, a local fixture in the depressed burg of Ellicot City with a particular fondness for drink and tales of the dead. Over hazy 16mm footage two decades later, Deutsch adopted a painfully unsentimental view of his early approach, colored as it was by notions of ethnographic film and an undercurrent of fetishism for a man he considered somehow more "alive" than himself. While it chafes against notions of authenticity in documentary and incisively hints at the complicity of the subject in inventing his own history, DEAD PEOPLE simultaneously oozes nostalgia, transcending its own judgment as a gauzy memorial for the man Deutsch once called a friend.

Desarmados

What if science could reverse the aging process? Follow the researchers as they decipher these mechanisms, with the promise of finding the elixir of youth so you can live longer, healthier lives!

Cruelty, psychological and sexual violence, humiliations: reality television seems to have gone mad. His debut in the early 2000s inaugurated a new era in the history of the audio-visual. Fifty years of archives trace the evolution of entertainment: how the staging of intimacy during the 80s opened new territories, how the privatization of the biggest channels has changed the relationship with the spectator. With the contribution of specialists, including philosopher Bernard Stiegler, this documentary demonstrates how emotion has made way for the exacerbation of the most destructive impulses.