The Love of the Three Pomegranates

Chan Kwai-sheung visits the brothel with So Tung-bo while his wife, Lau Yuk-ngo, is sleeping. As this is the first time Sheung did this, Ngo wants him to suffer and so makes him wear a lamp on his head. During the Lantern Festival, the Emperor has fun with his officials. After a few drinks, Bo says that Ngo has lost the virtues of a woman. Ngo immediately appeals to the Emperor. All the women there, including the Empress, say that Bo should be punished. Bo is unhappy and invites his cousin, Kam Cho, seduce Sheung to make Ngo unhappy. Sheung, a philanderer, schemes to take Cho as his concubine. Ngo finds out and beats him. Bo urges Sheung to divorce Ngo. Ngo is furious and lodges a complaint with the imperial court. The Emperor allows Sheung to have a concubine. Ngo pleads that she would rather drink poison than let Sheung take a concubine. Feeling remorseful, Sheung drinks the poison after his wife. Fortunately, the queen has switched the poison with vinegar. The couple reconciles.

Padraig, a guilt laden and grief stricken man seeks the help of an eccentric carpenter, John, to help him build a coffin for his already dead and buried wife. As Padraig works with John he begins to discover an ancient hidden world of magic and mythology that has its sinister roots planted deep in the island of Ireland.

After making a harrowing escape from war-torn South Sudan, a young refugee couple struggle to adjust to their new life in a small English town that has an unspeakable evil lurking beneath the surface.

In a land of promises and spirits, Mangdavalo's vow binds him as a ghost, while Padmavati's world crumbles with arranged marriage. Their love defies even death, weaving a tale of magic and sacrifice in a heartwarming journey

It is based on Perumthachan of the Parayi Petta Panthirukulam, a legend in the Kerala folklore. The problems caused by the generation gap are explored through the relationship between a skilled carpenter and his tradition-breaking son.

In 17th-century Pohjola, young Antti Puuhaara is looking for himself, because he has grown up with no knowledge of his childhood. Two actors, the tragedian and the comedian, who were banished from Tsarist Russia to Karelia, had predicted to the crooked merchant Markki Bohattov that Antti's fate would become intertwined with his own. When Antti falls in love with Bohattov's daughter Darja, the father has to arrange for her to marry the tar merchant Arho Mustahatu.

A woman is forced to continue working while one of her colleagues lies unconscious on the floor due to the long, hot work days. This fact causes insomnia problems and the suspicion that something is happening at night.

Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.

The Mother is one of Monteiro’s first essays on the universe of Portuguese oral culture, folktales and obscure colloquialisms. The plot revolves around a traditional tale about theft, greed, an ubiquitous mother, and the links between the worlds of the living and the dead.

Fear and superstition take hold of a young family during a time of great hunger in 1879 Ireland.

In a poor Estonian village, a group of peasants use magic and folk remedies to survive the winter, and a young woman tries to get a young man to love her.

Opera ve vinici

A year after losing her mother, a young girl learns that she must journey across Japan to the annual gathering of gods in the sacred land of Izumo.

Bhama Vijayam is a 1967 Indian Telugu-language swashbuckler film, produced by Somasekhar and Radha Krishna, and directed by C.Pulliah. It stars N. T. Rama Rao and Devika, with music composed by T. V. Raju. The film is based on Gollabhama (1947) which itself is based on the stories of Kaasi Majililu written in Telugu by Madhira Subbanna Deekshitulu.

A group of teenagers go out to a den in the woods for a night of drinking, unaware that their behaviour touches on issues of ritual, folklore, mysticism and UFOs.

About a mysterious and troubled black woman, a former practitioner of the Santería religion, who must comes to terms with her background whilst in a Caracas jail.

Christiaan Hesen

The plot is the embodiment of everyday belief about the impact of a certain evil force on a person. The action develops in a peasant environment.

Balada o Vojtovej Marine

The film will be made up of two stories: "Ishi Okoshi" and "Ayashiki Raihousha." In "Ishi Okoshi," Natsume meets a small youkai called Mitsumi in a forest. Mitsumi is entrusted to wake up the divine youkai "Iwatetsu" from its deep slumber. Mitsumi weighs on Natsume's mind, so he sets out to help Mitsumi with his task. In "Ayashiki Raihousha," a mysterious visitor appears in front of Tanuma. Nearly every day, the visitor visits Tanuma, talks to him a little, and then leaves. Natsume, who knows the visitor is a youkai, worries for Tanuma, but Tanuma enjoys these exchanges with the youkai. The youkai means no harm, but Tanuma's health slowly starts to deteriorate.