In a land of promises and spirits, Mangdavalo's vow binds him as a ghost, while Padmavati's world crumbles with arranged marriage. Their love defies even death, weaving a tale of magic and sacrifice in a heartwarming journey
A year in the life of a turn-of-the-century middle class family, leading up to the opening of the 1904 St. Louis World's Fair.
Whilst house-sitting in a secluded home in Scotland, Aarya, an expressionist painter, is gifted a red scarf sent by her aunt from Pakistan, and becomes haunted by a Churail; a demonic and malevolent South-Asian Witch.
A 19th-century widow has to make an impossible choice when, during an especially cruel winter, a foreign ship sinks off the coast of her Icelandic fishing village.
A painter's life is forever changed when a mythical and deadly spirit from Celtic lore – a Leannán Sí – becomes his muse and lover.
Chan Kwai-sheung visits the brothel with So Tung-bo while his wife, Lau Yuk-ngo, is sleeping. As this is the first time Sheung did this, Ngo wants him to suffer and so makes him wear a lamp on his head. During the Lantern Festival, the Emperor has fun with his officials. After a few drinks, Bo says that Ngo has lost the virtues of a woman. Ngo immediately appeals to the Emperor. All the women there, including the Empress, say that Bo should be punished. Bo is unhappy and invites his cousin, Kam Cho, seduce Sheung to make Ngo unhappy. Sheung, a philanderer, schemes to take Cho as his concubine. Ngo finds out and beats him. Bo urges Sheung to divorce Ngo. Ngo is furious and lodges a complaint with the imperial court. The Emperor allows Sheung to have a concubine. Ngo pleads that she would rather drink poison than let Sheung take a concubine. Feeling remorseful, Sheung drinks the poison after his wife. Fortunately, the queen has switched the poison with vinegar. The couple reconciles.
The teenagers of a rural community are confronted by the not-so-charming realities of their hometown on the eve of its annual beauty pageant.
Aarya leaves her family in the city to pursue her passion for the arts. She is gifted a red scarf, and is haunted by a Churail; a demonic and malevolent South Asian Witch.
Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that's fine with her. But, when Peter's father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle - and Peter isn't all that thrilled with the arrangement, either.
Tony Lip, a bouncer in 1962, is hired to drive pianist Don Shirley on a tour through the Deep South in the days when African Americans, forced to find alternate accommodations and services due to segregation laws below the Mason-Dixon Line, relied on a guide called The Negro Motorist Green Book.
An independent investigative journalist is on a mission to solve a string of strange deaths occurring in the forests of Western Newfoundland. What was once thought to be animal attacks is now being studied a little closer and just may be murders carried out by the mythical creature of provincial folklore, the Webber.
Dawn is a quiet young teenager who longs for something or someone to free her from her sheltered life.
A Christian couple who, after experiencing a devastating miscarriage, purchase an abandoned farm with a dark past. Their love and faith are soon tested by a malevolent presence.
Bhama Vijayam is a 1967 Indian Telugu-language swashbuckler film, produced by Somasekhar and Radha Krishna, and directed by C.Pulliah. It stars N. T. Rama Rao and Devika, with music composed by T. V. Raju. The film is based on Gollabhama (1947) which itself is based on the stories of Kaasi Majililu written in Telugu by Madhira Subbanna Deekshitulu.
Christiaan Hesen
Set in an alternate universe, the ancient capital of Kamakura is a vibrant town where fantastical creatures live alongside humans. Akiko is a cheerful publishing assistant who moves into town after marrying Masakazu, a popular mystery writer. Akiko is surprised by the unusual town but enjoys the new curiosities surrounding her. However, just as she was beginning to settle in, a trifling incident sweeps her spirit to the underworld too soon. Convinced that destiny has something else in store for his wife, Masakazu journeys into the underworld to bring back Akiko’s spirit.
Shiva, a tribal vagabond lives with his mother in hamlet, stays away from the traditional Daivaradhane and Bhoota Kola legacy due to an unforgettable childhood incident. He is happy loafing around with his friends and doing petty jobs for his landlord. When Forest officer Murali enters the scene, it gives a fresh dimension to the man-vs-nature fight. Can Shiva save the forest from Murali? Or is Murali just a dummy bait cast by bigger fish?
Basque Country, Spain, 1843. A police constable arrives at a small village in Álava to investigate a mysterious blacksmith who lives alone deep in the woods.
Natsume has been busy, navigating between humans and Yokai when he coincidentally reunites with an old classmate, Yuki. It brings back painful memories of a certain Yokai. Meanwhile, Natsume also became acquainted with Yorie Tsumura, a woman in the memories of a Yokai whose name he had returned. Yorie knew much about Reiko, but now lived a peaceful life with her only son, Mukuo. Being with this family was comforting for Natsume, but apparently a mysterious Yokai has been lurking in their town. On the way back from investigating, a “Yokai seed” that had latched itself to Nyanko Sensei drops into the Fujiwaras’ garden and grows overnight into a fruit tree. When Nyanko Sensei eats a fruit that is somehow shaped like himself, he suddenly splits into three!
The legend of Ali Baba and the forty thieves: Ali Baba discovers a hidden cave where a band of thieves have stored their enormous treasure. Cassim also learns about the cave, but he is caught by the thieves and put to death. Knowing that their secret has been found out, the thieves devise a trick in an attempt to kill Ali Baba and anyone else who might know about their hiding place.