Breakdowns of 1938

A trendy Los Angeles couple fixes up an Ancient Evil Deity From Beneath The Sea on a blind date.

When a young woman fills in for her friend on a babysitting job, she begins to suspect things are not as they seem. She's right.

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

A jerk husband Sandro and his young wife Giulia have moved into a new apartment. She is unpacking, and he his lounging in the bath. When his brother Walter comes over to deliver a new wall mirror. The brother makes a pass at the young wife, as he has secretly wanted to do for years.

Samuel is ten years old and is madly in love with Lucía, who is twelve years old and has a master plan to get rid of the only obstacle left in her life to get what she wants: to be a writer, film critic, and rich.

An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.

To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.

Shortfilm showcasing Grémillon's love of astrology.

Short documentary showcasing engravings by Goya.

The horror of Jen's teenage past catches up with her when she takes her autistic son to a birthday party in her hometown.

A short about going CowboyMode.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

After receiving the key to the city for their heroic efforts, Rocket J. Squirrel notices that Bullwinkle falls in love with a robotic moose. Unbeknownst to him, inside the moose is Boris Badinov, who, along with Natasha Fatale and Fearless Leader, are carrying out another plan to eliminate Rocky & Bullwinkle.

In school, 9-year old Julian gets into trouble for squealing a bully and therefore disturbing class.

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.

This short opens showing numerous mice eating all the food in Honey's kitchen and ruining everything in her house. She tires valiantly to run them off but they outsmart her. She makes a phone call and Cubby appears at her door. The mice make quick work of him too. Only a fat cat is able to temporarily stop them but they soon turn on him too. Cubby comes to the aide of the cat but the mice outsmart the both of them. In the end the mice have run off the cat, Honey is gone, and Cubby sits dazed on the floor as the mice cheer their victory.

An excited person. A promising party. The perfect match for a joyful night. What could go wrong?

Fiz Amizade com um Fantasma