In June 1963, President John F. Kennedy made a visit which would change America and the rest of the world’s perception of Ireland forever. Kennedy referred to his visit to Ireland as “the best four days of his life”. One of those days, June 29th, was spent in Galway, known for its long winding promenade, beautiful beaches and traditional Gaeltacht culture of music, dancing and Irish language. Told through the eyes of residents who were present on the day, the film recalls the euphoric excitement felt within the local community. Nobody in Galway had ever experienced such privilege before, nor had they felt such an atmosphere, and they’d certainly never met someone as famous as the President of the United States of America.
The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).
Over 4 hours of rare footage of both CV-8 and CV-12, including the film "The Life and Death of the U.S.S. Hornet, footage from the Doolittle raid and CV-8 at Santa Cruz. Features footage from the launching of CV-12 through her WWII service, including flight deck activities, gun camera footage and more. Also includes footage from the Hornet's recovery of Apollo 11 and 12. Bonus features include a Navy Training film on catapulting from a carrier and film on Torpedo Squadron 8.
An exploration of modern ruins that seeks to record the traces of time in Mexico City.
AVATARA is not a cartoon. It's a documentary about an Internet subculture who spend their lives immersed in an online 3-D voice-chat program called "Digitalspace Traveler." Through a series of 14 interviews, we uncover the history, art, identities, struggles and emotions of this unique internet community who, since as far back as 1996 have mostly devoted their lives to this software.
Produced by the Highway Safety Foundation in 1964, this shocking film deals with a subject quite taboo for its time. The short serves as a dramatized warning, ending with graphic case studies.
Builds up on the original's idea of a fetish-reality-documentary melting pot following international latex fetish icon Bianca Beauchamp and her kinky friends day and night during a 3-day fetish event, on stage, behind the scenes, at home even!, and this time with a lot more latex extravagance and glamor! Following Bianca & her friends escapades offers a unique perspective on the subject of fetish, often considered taboo by many, and sheds a fun light into a world where cameras are usually frown upon. The result is a fun and captivating ride demystifying international fetish events, its artists, top models and party people. The film was shot at the Montreal Fetish Weekend 2007. Written by Martin Perreault
Form small beginnings on a Victorian farm to globetrotting punk rock icons, the Cosmic Psychos became one of Australia's most influential bands. Now after thirty years of music making, 'Cosmic Psychos: Blokes You Can Trust' documents the highs and lows of the group's musical career as told by members from the Melvins, L7, Mud Honey, Pearl Jam, and The Hard-Ons with other international music producers and from the Cosmic Psycho band members themselves.
Las Raíces del Roble
K Pacifiku přes Coast Mountains
Den s Petrem Čechem
A batch of mushy sourdough. Two radioactive lizards. Three cans of Campbell’s tomato soup. When COVID-19 lockdowns began in 2020, people around the world began reporting more vivid dreams.
The Chaperone tells the true, previously untold story of a lone school teacher who fought off an entire motorcycle gang while chaperoning a middle school dance in a church basement in 1970s Montreal, Canada. Told from the first person unscripted perspective of the school teacher and DJ who were there that night, The Chaperone recreates the whole scene using hand drawn animation, miniature sets, puppets, live action Kung Fu and explosions all done in stereoscopic 3D. With over 10,000 hand drawings (many of which were colored in crayon by hand), an original blaxploitation score and featuring a cast of over 200 people, The Chaperone is an unconventional approach to documentary shorts.
Since Rosa was little, people used to say around town that her grandfather was a black dog. The legend, belonging to the Valley of Oaxaca, spoke of a man who had the ability to turn into a black dog and roam the streets at night. Through images of the town, interviews with the brothers and animated interventions, the documentary tells the story of the myth and its importance in the collective memory.
Animated training film depicting the fundamentals of electricity and how electrical signals can be used to keep an airplane on correct course and altitude through an autopilot.
Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.
Footage yarn sliding over trees, fields, buildings, bulldozers, power lines... while a monotonous hum exacerbates the images.
A homage to Andrei Tarkovski made for the Spanish edition of the Chris Marker movie 'Une journée dans la vie d’Andrei Arsenevich'.
The documentary shows the world of the surrealist Canadian artist Alan Glass, his work, his home, his friends, his boxes, all his universe is presented through the point of view of art critics, artists and friends.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)