Aquí se construye (o Ya no existe el lugar donde nací)

It follows Chilean writer Antonio Skármeta as he celebrates the end of the autocrats. Cheerful farewell rituals accompany others facing political persecution on their way to fly home.

A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.

In the Juan Fernández Archipelago, 700 kilometers from the central coast of Chile, is Robinson Crusoe Island. There, a group of children who are in their last year of primary school will soon graduate, leaving the island where they learned to live.

After the rise of 30 pesos on the Metro fare in Santiago (Chile), Chilean people rise up against the repressive measures of the government to stop the protests. With a scarf on the face and a camara, I’ll show the real upset of the social outbreak that woke up a country that was sleeping for 30 years amongst an illusion of democracy

A documentary about Finnish twin sisters, one of whom disappeared in Argentina in 1977.

Documental about the Second Independence of Chile. Images and videos from the period before and after September 11th, 1973

This documentary short features Chile's history, culture, and customs.

A moving portrait of Chilean singer-songwriter and political activist Victor Jara (1932-73) that chronicles the life of the talented artist who was imprisoned, tortured and machine-gunned by the country's dictatorship.

The documentary portrays the desires and ftures of four young people from the third year of secundary education in Chile. Two of them attend the industrial high school in the San Joaquín commune, where they have already begun their training as a textile technician. They both have dreams, they want to study, work, start a family and improve themselves. On the other hand, at the exclusive Saint George school, two students study in privileged conditions. They want to be professionals and develop through the arts. This is the portrait of two worlds located less than 20 kilometers apart and that can only be together in the audiovisual montage. It is the manifestation of the coincidences and contradictions that exist between the realities and the discourses of four young Chilean students in a fundamental stage for their future.

A conversation between the director of this film, Carmen Castillo and Marcia Merino, AKA La Flaca Alejandra who was one of the collaborators of Pinochet's secret police (the DINA) after being tortured by them. It was Merino who betrayed Castillo, who lost her new born child after being tortured. Almost twenty years later, Carmen Castillo returns to Chile after her exile to film this documentary, during a time in which Marcia Merino, on the court of justice, decided to give the names of her old bosses who worked with her on the DINA.

Trabantem až na konec světa

Concert by Víctor Jara at Panamericana Televisión in Lima, Peru, on July 17, 1973. This is one of the last audiovisual records of Víctor Jara. Two months later he would be assassinated by the Chilean military dictatorship.

It is a powerful predator, one of the most elusive animals in Patagonia and rarely filmed. In the very South of Chile the Pumas' hunting grounds lie in the awe-inspiring Torres del Paine National Park, follow a mother Puma as she rears her cubs in the wild, teaching them to survive and thrive.

Draped in an electric blue fabric, the artist acts as a conduit between the tangile and the spiritual, blurring the boundaries between human form and natural elements.

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

In this documentary film a team of researchers examine the social contexts that influenced the emergence and permanence of heavy metal music in Chile, Argentina, Mexico and Peru. Colonialism, dictatorships, terrorism and neoliberal exploitation serve as points of reference for how heavy metal in the region has been directly linked to each country's social and political context.

A Swedish mining giant, Boliden, is accused of having dumped 20000 tonnes of toxic waste in a poor neighborhood in a Chilean desert town.

During the Pinochet dictatorship, Jorge Lübbert became an instrument for the Chilean secret services, who forced him to work for them in an extremely violent way. He was able to escape from Chile and became a war photographer based in Belgium. Today, his son Andrés takes him back to the places of his unfinished past.

During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”

Filmmaker Rodrigo Dorfman goes in search of his revolutionary roots in Chile and in the process finds it in the euphoria of the Occupy Movement.