MMXIII

Under pressure from activist groups, art is increasingly being cancelled for ideological reasons, because of 'cultural appropriation' or because of the desire for a 'safe space'. The colour and gender of the artist seem to be all-determining in this. How do you relate to this as an artist? Is this a disturbing development or a sign of emancipation? And what does it mean for freedom of expression? Director Karin Junger investigates this with Anne-Fay Kops, Ted van Lieshout, Angel-Rose Oedit Doebé, Raymi Sambo, Boris van Berkum, Marian Markelo, Stephan Sanders and Thomas Chatterton Williams.

Movie of the stage play McQueen (written by British playwright James Phillips), at the St James Theatre, London, in May 2015 Featuring: Stephen Wight as Lee Dianna Agron as Dahlia, Tracy-Ann Oberman, Laura Lees and David Shaw-Parker

A woman named Limoo, a self-taught painter who starts painting after her son's death - continuously and non-stop - wants to continue his son's legacy. It looks like the son has been reincarnated in the mother's body. Limoo wishes to hang all her paintings on the walls of her home but the landlord doesn't give her permission!

A tribute to the cameramen of the newsreel companies and the service film units, in the form of a compilation of film of the cameramen themselves, their training and some of their most dramatic film.

A journey into the secret world of 76-year-old Renaldo Kuhler, a scientific illustrator who invented an imaginary country to survive his disaffected youth.

A personal, accessible look at an artist - Kevin Barnes, frontman of the endlessly versatile indie pop band of Montreal - whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he's forced to reconsider the future of the band, begging the question - is this really worth it?

Edwardian England. A precocious girl from a poor background with aspirations to being a novelist finds herself swept to fame and fortune when her tasteless romances hit the best seller lists. Her life changes in unexpected ways when she encounters an aristocratic brother and sister, both of whom have cultural ambitions, and both of whom fall in love with her.

Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.

A Baltimore teenager who picks up a second-hand camera starts snapping his way to stardom, soon turning into a nationwide sensation, with a fateful choice between his life and his art.

Karin, a young girl, gets an hour free from school. She spends it across the street from the school, in the apartment of an older photographer.

A coming-of-age story set in Germany in the 1960s. Siggi becomes involved in a love triangle when he falls for Luise, but the tightening political climate forces him to make a fateful decision.

A young Australian reporter tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a diminutive photographer.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

JUMP is a psychological drama revealing for the first time the extraordinary circumstances behind the unjust murder trial of the young Jew, Philippe Halsman, who would later become the most sought after celebrity portrait photographer of his generation.

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.

Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted.

Eric Leiser displays his boundless creativity in this short collection; A stunning compilation of works presented with a mixture of live action, stop motion animation, puppetry and pixilation techniques, produced between 2001 and 2006.

Elliott Erwitt has spent his entire adult life taking photographs, of presidents, popes and movie stars, as well as regular people and their pets. His work is iconic in world culture while his life is largely unknown.

Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.

Martin, a young blind photographer, is divided between his friendship with restaurant worker Andy and the exclusive love that Celia—who is terribly jealous of this new friendship—has for him.