32 Pills: My Sister's Suicide

Sur les Gratte-Ciel de New York

Ron, the filmmaker’s father, has a brain injury that affects his ability to situate himself and retain memories. Upon realising that her father no longer recognises her, the director decides to turn her father’s notebooks into a film that plunges us into the complexities of memory and the brain, full of creativity, humour and tenderness.

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

On September 15th 2008, the day of the the collapse of Lehmans, the worst financial news since 1929, Damien Hirst sold over £60 million of his art, in an auction at Sotheby’s that would total £111 million over two days. It was the peak of the contemporary art bubble, the greatest rise in the financial value of art in the history of the world. One art critic and film-maker was banned by Sotheby’s and Hirst from attending this historic auction: Ben Lewis.

The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.

Escala de grisos

Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.

A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.

Leon Gast's musical documentary reveals New York City's Latin culture and features live performances of salsa greats The Fania All Stars and The Spanish Speaking People of New York. A document of urban American Hispanic culture, Gast's film captures the rhythms of New York's Spanish Harlem, from illegal cockfights and Santeria rituals to the rooftops and backstreets of El Barrio and the legendary musicians performing at the Cheetah club.

A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.

Set against the backdrop of 9/11, this documentary tells the story of how a new generation kickstarted a musical rebirth for New York City that reverberated around the world.

Hailed as the “godfather of Brooklyn pizza,” for forty five years Domenico DeMarco, Italian émigré and father of seven, has been slinging pizzas in his legendary corner shop, Di Fara. Employing five of his children, Dom works tirelessly from morning until night hand crafting each and every pizza himself while his kids take orders and manage the mob of devoted pizza aficionados. The Best Thing I Ever Done is a portrait of DeMarco and his beloved pizzeria, an exploration of his rise to fame and an ode to pizzaioli who take their time to 'make it right.'

Filmed at LA's SoFi Stadium, The Weeknd brings down the house – and your living room – in this epic concert event.

In the world of professional sports, no American athlete ever came back from a mental health disorder....until Ron Artest, now known to the world as Metta World Peace.

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

Queer activist and artist Ajamu prepares to leave Brixton for an exhibition of his work in his hometown, Huddersfield.

Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.

Following the death of Amina Filali, a 16 year-old girl who killed herself after she was allegedly forced to marry the man who raped her, a young woman carries a personal investigation into the representation and perception of rape in Morocco. Here rapists are offered to marry their victims as a means to save the "honour" of the family. By liberating the voices of these victims, 475 : Break the Silence gives an unprecedented view of family, the deceit of love, relationships, marriage and honour in urban deprived areas of a country seeking to find its identity between modernity and tradition.

The Bridge is a controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco - the world's most popular suicide destination. Interviews with the victims' loved ones describe their lives and mental health.

"The trauma of 9/11, the ideology of violent retribution, military service as a patriotic family tradition, the “unfairness” of today’s warfare – in their voice-overs, five young Afghanistan war veterans first establish familiar foundations. Joe, Torrie, Mike, James and Justin from Pittsburgh are slow to show us their faces. Physically unharmed but full of inner pain they have become the misunderstood upon their return. Their violent experiences speak a language that the people at home don’t understand.