The Creep Behind the Camera

LSD: Trip to Where? is a 1968 film depicting the experiences of three sailors who experiment with LSD and marijuana. The film explores the impact of their drug use on themselves and their peers aboard a military vessel, highlighting the perceived dangers associated with these substances during that era.

A growing number of onlookers disrupt an archeologist as she tries to work.

A cult guru urges a shy disciple to make life a movie and be its star.

Teen skater Ken Park (nicknamed Krap Nek; his name spelled and pronounced backward) kills himself at a Visalia skate park; his death bookends the lives of four other young people who knew him: Shawn, the most conventional; Tate brims with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother; and Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.

A publishing executive is visited and bitten by a vampire and starts exhibiting erratic behavior. He pushes his secretary to extremes as he tries to come to terms with his affliction.

For all its talk of racial, spiritual, and physical purity, the self-anointed “Master Race” harbored a secret…theirs was an axis of drug addicts. This two-hour special explores the origin, impact, and lasting effects of the state-sponsored drug use that helped build—and eventually burned—the Third Reich. Incredible new sources of information, including a detailed journal maintained by Hitler’s personal physician, reveal the extent of not just his, but the entire Nazi Party’s reliance on drugs to power their war effort.

Han is a suicidal saxophonist, Mun is a violent simpleton with an I.Q. of 80, and Maria is a single mother with dreams of becoming a nun. Han has tried numerous times to kill himself, but nothing ever works. After witnessing his wife's infidelity, it's the last straw.

A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.

Doze runs into many problems as he tries to secure funding for what he thinks will be the next mockumentary blockbuster.

The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.

When a young couple buys their dream home, they have no idea what the sweet little old lady upstairs is going to put them through!

Best buddies Acerola and Laranjinha, about to turn 18, discover things about their missing fathers' pasts which will shatter their solid friendship, in the middle of a war between rival drug gangs from Rio's favelas.

Cézanne au pays d'Aix

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

Mangin, a police inspector in Paris, leans hard on informants to get evidence on three Tunisian brothers who traffic in drugs. He arrests one, Simon, and his girl-friend Noria. Simon's brothers go to their lawyer. He springs Noria, who promptly steals 2 million francs that belong to the Tunisians. They suspect her of the theft; her life as well as the lawyer's is in danger. Meanwhile, Noria is playing with both the lawyer and Mangin's affections. Mangin is mercurial anyway: intimidating and bloodying suspects, falling for a police commission trainee before flipping for Noria, wearing his emotions on his sleeve. Can he save the lawyer and Noria, and can he convince her to love?

Worried about her husband being allergic to dust, Nat, a recently-dead woman, returns as a ghost possessing a vacuum cleaner to clean the house and protect her family from other vengeful ghosts in the house. To become a useful ghost, she needs to get rid of the useless ones.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

The immature young ruler of the Austro-Hungarian Empire, Franz Joseph, was extremely shy around women but (according to this film) was constantly being propositioned, lewdly or otherwise, by ambitious courtesans. When he was finally married to his Empress, the teen-aged Bavarian princess Sisi (Elizabeth), it seems that his relief knew no bounds, for he was now sure that he would never have to think about sex ever again. According to the filmmakers, this is the true history of that marriage. This story is a complete reversal of the romantic legend depicted in the popular 1955 film Sissi, which helped brighten the emerging stardom of Romy Schneider.

An abandoned teen jumps a freight train in Philadelphia intent on reaching his uncle in Indiana, whom he believes will help him with financial difficulties including a pregnant girlfriend. In Ohio, he meets another homeless teen, who escorts him to his uncle. Finding his uncle equally broke, the duo head on to Oklahoma City to try to find the first teen's long-gone ex-con father. A confrontation between father and son send the duo on into exploits in the west including getting beaten up, busting into an Indian reservation church, and hitch-hiking with a beautiful nurse.

Vance and the Afterlife is a short film about a corporate stiff named Vance who dies and ends up in his own imagination... or lack thereof.