Harry Jay Knowles

When some very creepy things start happening around school, the kids at Herrington High make the chilling discovery that confirms their worst suspicions: their teachers really are from another planet!

Emily Hagins is making a zombie movie. It's feature-length, it's bloody, and the zombies don't run. Just like it should be. But there's just one difference between her film and every other zombie movie you've ever seen. Emily is twelve.

An infection which appears to be caused by a bacteria in the water turns out to be more. A fourteen-year-old student, Dannie, feels the real cause is linked to her recurring dreams. When the infection reaches an epidemic level. it becomes clear that this infection not only kills, but restores the body to a minimally functioning state where the infected become the "living-dead". This unique twist on the classic zombie theme, centers around the highly-intuitive Dannie Jacobs and a group of four other middle school students who try to save their friends, their town and themselves in spite of the odds against them. While they are desperately trying to find an answer before it's too late, they meet researcher Sue who may hold the key to the infection and Dannie's dreams.

The sound of flapping bat wings, an empty coffin, glistening fangs, tiny punctures on the neck, the sensual taste of blood, a blank reflection, fear of the cross, and death from daylight. These are the creatures of the night, and as legendary (but fictional) vampire hunter Abraham Van Helsing exclaimed: "Gentlemen, we are dealing with the undead!" Perhaps the most enduring film genre of all time, vampire films continue to haunt us on the big screen. Why are we fascinated with the myth of these immortal souls? Could it be the living forever part, or perhaps the fact that they have an unearthly sexual attraction to both males and females? Whatever it is, audiences around the world can't seem to get enough of them.

The story of American film criticism.

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

An exploration of the making of b-movie sci-fi cult classic "The Creeping Terror" and its con-man director Art "A.J." Nelson/Vic Savage.

In 1982, three 11 year-olds in Mississippi set out to remake their favorite film: Raiders of the Lost Ark. It took seven turbulent years that tested the limits of their friendship and nearly burned down their mother's house. By the end, they had completed every scene except one... the explosive airplane scene. 30 years later, they attempt to finally realize their childhood dream by building a replica of the 75 foot "Flying Wing" plane from Raiders in a mud pit in the backwoods of Mississippi... and then blow it up! This is the story behind the making of what is known as "the greatest fan film ever made."

Fanarchy explores the rise of fan culture and ways in which fans are threatening the Hollywood system by becoming a creative force in their own right. With affordable technology at their fingertips, fans are producing more new content per month than studios or networks combined. Whether it's an original idea or a personal spin on a favorite film or TV show, fans are taking the reins and blurring the line between amateur and professional. Written and directed by Halifax’s own Donna Davies, Fanarchy exposes the burgeoning media landscape and the issues that complicate it – copyright, intellectual property and the concept of originality in a remix culture.

After a car crash sends repressed cartoonist Stu into a coma, he and the mischievous Monkeybone, his hilarious alter-ego, wake up in a wacked-out waystation for lost souls. When Monkeybone takes over Stu's body and escapes to wreak havoc on the real world, Stu has to find a way to stop him before his sister pulls the plug on reality forever!

A small-town eccentric opens a café in her decaying home.

For years, people have been making home movies, many times using pop culture properties that they may not own, but love. In recent years, these types of projects have come to be known as "fanfilms". Backyard Blockbusters looks at the history and influence of the fanfilm genre, as well as the copyright and fair use problems these films create, featuring highlights from and interviews with the creators of many popular films.

A documentary on legendary movie-poster artist Drew Struzan.

After the city's deadliest serial killer breaks out of jail, the aging Texas Ranger that put him away comes out of retirement to stop the monster's rampage, this time for good. Violence and hilarity ensue as the city is thrown into chaos.

After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a chainsaw-wielding killer and his family of equally psychopathic killers.

An insightful documentary about the impact and ripple effect of "Reservoir Dogs" from its release in 1992 and how it has helped redefine contemporary cinema.

A short documentary on Japanese animation featured on the DVD for The Animatrix (2003).

The closing of a student film program serves as a paradigm for interrogating the corporate ideology that guides the largest public university in the USA: the University of Texas at Austin.

Sylvester Stallone's 90-minute video diary, covering the making of "The Expendables".