Fishtail

After moving back to their hometown in Wyoming, a family starts a ranch for special needs children, hoping to provide a sanctuary where everyone can feel like they belong.

Told in the cinematic tradition of classic westerns, “COWBOYS - A Documentary Portrait” is a feature-length film that gives viewers the opportunity to ride alongside modern working cowboys on some of America's largest and most remote cattle ranches. The movie documents the lives of the men and women working on these "big outfit" ranches - some of which are over one million acres - and still require full crews of horseback mounted workers to tend large herds of cattle. Narrated through first-hand accounts from the cowboys themselves, the story is steeped in authenticity and explores the rewards and hardships of a celebrated but misunderstood way of life, including the challenges that lie ahead for the cowboys critical to providing the world's supply of beef. “COWBOYS” was filmed on eight of the nation’s largest cattle ranches across ten states in the American West.

Shawano

Bandera, Texas (THE COWBOY CAPITAL OF THE WORLD) is a captivating documentary that explores the vibrant history, unique culture, and enduring values of the small town of Bandera, Texas.

In the 1960s the cattle mutilation phenomenon became a widespread concern across the American west. Cases erupted around states like Wyoming, South Dakota and Colorado of livestock being preyed upon in ways that puzzled even established scientists. Today, cattle mutilations are thought to go hand in hand with mysterious objects in the skies (commonly referred to as UFOs or UAPs) and that’s what first brought indie documentary crew Small Town Monsters and investigator Shannon LeGro to the Miller Ranch in southern Colorado.

A documentary film crew follows Bernie Rosenblum to the El Paso, Texas ranch where he worked in 1966 on what is arguably the worst movie of all time.

This Traveltalk short visits Rocky Mountain National Park and a nearby dude ranch in Colorado.

Ross Kemp tracks down animals who once belonged to Michael Jackson at his Neverland ranch.

Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.

Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.

Emilio Fernandez directs Dolores Del Rio and Pedro Armendariz in a classic tale of family and obsession. Raimunda's daughter Acacia hates her stepfather Esteban, and in order to escape her suffocating home life she's accepted a marriage proposal from a man she doesn't even love. But Esteban has become obsessed with Acacia, and in order to ensure that she doesn't leave he's plotting to murder the girl's unsuspecting fiancée. As Esteban's true nature emerges, mother and daughter must band together to support one another and make sure that their family bond remains strong even in the darkest of times.

Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.

Johnny Mack Brown follows his tried-and-true western formula in Law of the Panhandle. This time, U.S. Marshal Brown backs up Sheriff Tom Stocker (Riley Hill) in an ongoing battle against a marauding outlaw gang. The thieves, led by snarling Henry Faulkner (Myron Healey), hope to scare all the local ranchers off the land that will soon be purchased by the railroad that's coming through the territory.

Western tale of a special agent (Bill Edwards) unravelling a series of rustlings on and around Cooley's dude ranch

Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin by Japanese forces firsthand.

Marshall "Big Jim" Cole turns in his badge and heads to Wyoming with his family in order to settle on some land left him by a relative. He faces opposition both from a neighbor who wants that land for his own sons, and from a grizzly bear nicknamed "Satan" who keeps killing Cole's livestock.

Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Harrah. Together with a fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.

Jimmy Wakely and Dusty, traveling with the medicine show owned by "Lasses" White, stop at the Ferguson ranch and find the rancher and his wife killed. They take the Ferguson baby to their camp, where outlaws Joe, Slick and Pete attempt to kidnap the baby, while Dusty is reporting the murders to Sheriff Beasley and town mayor Melinda Pringle. Wakely and his singers hide the baby from its legal guardian, Doc Judd Thomas, as they suspect him of being connected with the Ferguson murders.

A cowhand named Bob Blake visits with Sally Thompson and her kid-brother, Jimmy, on their hard-scrabble homestead adjoining the Steele Ranch where Bob works. He learns that their father just died, and he plans on seeing if he can make things a bit easier for them.

Samantha’s Montana ranch is her family’s legacy, so when a developer shows up to buy it, Sam isn’t interested. But as he tries to win her trust and her ranch, Sam finds he might also be winning her heart.