Triptych

Saitarn, a retired post-op transsexual, falls in love with a local mechanic. Tonmai has inherited a gay cabaret bar from his father. And Din is a high school boy whom his father found out to be a trans. His father sends him upcountry to be ordained hoping it may make him straight.

A three-part love story: Alborada, Cénit y Ocaso (Sunrise, Noon and Sunset). A dying prince (Agüeros) lives a stormy love affair with a "femme fatale" (Padilla) who doesn't care for his feelings.

Dying for the Other is a video triptych, documenting the lives of mice used in breast cancer research and humans suffering from the same disease. In order to produce this video, da Costa documented scenes of her own life during the summer of 2011 and combined them with footage taken at a breast cancer research facility in New York City over the same time frame.

Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.

An homage to Len Lye and Jules Engel, Terra Incognita is a hand-drawn animated abstraction in three parts.

Philippe de Montebello, Director of The Metropolitan Museum of Art from 1977 to 2008, guides viewers through The Cloisters, pointing out Romanesque and Gothic architecture and artwork, beautiful tapestries, and the diverse species in the gardens. He outlines the history of the building and it's many influences and highlights significant works of art in the collection. It was produced in 1989 by The Metropolitan Museum of Art's Office of Film and Television.

"Jordan Lisi's got some great ideas about structure here, which he's taken off and run with, hard--the result is this tough little jewel of indie cinema." - Andrew Bujalski

A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).

A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.

James Ward, a prosperous young lawyer, falls in love with a pretty girl he sees passing in a limousine. Later, he meets her quite accidentally and is surprised when she enlists his aid in securing a letter for her from the home of a wealthy broker, that necessitates his burglarizing the place at midnight.

Dineshan, Grace, Giri, KK and Gund Saji are involved in leftwing politics. Dineshan gets attracted to a girl who stays over at his house and she makes him consider all the occurrences that happen at home and take action for them.

You're Not Alone

Everyone is awakened by a combat alarm signal, according to which soldiers and officers instantly wake up and go to save the Motherland. But no one knows exactly where. It is worth noting that all this happens on New Year's Eve. And now, through a snow-covered forest in pitch darkness among centuries-old fir trees, our heroes are riding in a "shishig" on a special mission ... on a narrow track only headlights are visible ... After some time they arrive at a bunker lost in the forest ... What kind of special task can be on New Year's Eve do they wonder? Among other things, it turns out that Ensign Danilych, Private Poghosyan and Nurse Dasha were forgotten in a hurry. And these three, having decided to catch up with those who left, try to get to the place themselves and get lost in the night forest ... How will this adventure end, because there is very little time left before the New Year?

The expectations of Elias are high. He is not only an excellent student, but also the son of the richest farmer in the Zillertal. Soon he will take over the farm. But the more desperately he tries to fulfill his intended role, the more he feels that he really wants to live a completely different life.

In the late 1960s, when the young Jewish businessman’s son Victor Dessauer fails to secure just punishment for the Nazi concentration camp commandant who tortured his parents, he resolves to take the law into his own hands.

Please, father, can you let the future sleep a little longer, as it should be? Because if we wake it up too early, we get a sleepy present. This film poem was made from footage archived on the Ciclic Mémoire website.

Mélanie and Pierre are visiting an amusement park in the Auvergne region where Vincent works. But they don't seem too keen on having fun.

Hanieh is a broke forty year old woman on the verge of being thrown out from her apartment. She has tried to make a film based on her own semi-autobiographical script for years, but after accepting that she has no luck to fulfill her dream, she has no other choice than selling the script to one of her best friends. Due to her love for the script and its details, Hanieh is not able to tolerate any indifferent and ignorant reactions during the preproduction, but she decides not to get involved in any conflict with the director, the cast and the crew today. However, during the reading rehearsal, others begin to judge her character as described in the script and name her a bastard and a loser...

France, 2045. In the midst of a food crisis, Alexandra Delpech sees activists barging onto her property, determined to steal her land and transform it into a fertile oasis for the common good. Armed with her shotgun, Alexandra does not intend to be robbed so easily.

In 2043, Melissa, a young eco-worker, sails the Mediterranean Sea on her smart boat the Rainbow, with her trained dog Cham. As she collects mass of drifting plastic waste, she sorts and trades this material on the global recycling market. One day, she saves a baby monkey from drowning, and takes him on the boat. This encounter will change the path of her life.