Triptych

Saitarn, a retired post-op transsexual, falls in love with a local mechanic. Tonmai has inherited a gay cabaret bar from his father. And Din is a high school boy whom his father found out to be a trans. His father sends him upcountry to be ordained hoping it may make him straight.

A three-part love story: Alborada, Cénit y Ocaso (Sunrise, Noon and Sunset). A dying prince (Agüeros) lives a stormy love affair with a "femme fatale" (Padilla) who doesn't care for his feelings.

A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).

Dying for the Other is a video triptych, documenting the lives of mice used in breast cancer research and humans suffering from the same disease. In order to produce this video, da Costa documented scenes of her own life during the summer of 2011 and combined them with footage taken at a breast cancer research facility in New York City over the same time frame.

An homage to Len Lye and Jules Engel, Terra Incognita is a hand-drawn animated abstraction in three parts.

"Jordan Lisi's got some great ideas about structure here, which he's taken off and run with, hard--the result is this tough little jewel of indie cinema." - Andrew Bujalski

Philippe de Montebello, Director of The Metropolitan Museum of Art from 1977 to 2008, guides viewers through The Cloisters, pointing out Romanesque and Gothic architecture and artwork, beautiful tapestries, and the diverse species in the gardens. He outlines the history of the building and it's many influences and highlights significant works of art in the collection. It was produced in 1989 by The Metropolitan Museum of Art's Office of Film and Television.

Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.

A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.

A man spies on his neighbors because of the noises they create every night. But he discovers that they do wild erotic practices. As he interferes with their business, the more he gets involved in their lives and their mess.

A stand up comedian who dreams of becoming a star takes his son on the road to a Little Town in the mountains to find his mom. They are accompanied by a free spirit girl who inspires him to follow his dreams.

Night Shift

The old Aguinaldo speaks from another time as he writes his memoirs of Bonifacio, the Katipunan, and the revolution. He has a strong urge to tell his side of the story.

Já jsem Stěna smrti

我们村的女神

After the massacre of his village, Zhang Xiaofan is taken in by the Qing Yun Sect where he begins his journey of cultivation. When he finds out the truth behind the deaths of his parents, he succumbs to his rage and demonic tendencies and becomes the enemy of Qing Yun Sect.

A mother who has recently been incarcerated refuses to give up on her young son, no matter how fragile their connection may now be.

Nettles are stinging plants. In six chapters, this short film explores stinging moments in the lives of different girls and women.

Behold in this film the Uplifter, a peculiarity of the human species, quite convinced that all that is, is wrong. Forth to the uplift he minds everybody's business but his own, until that business is as clean, pure and spotless as himself. Verily in these later days is there no school of art named, "Minding One's Business."

Subroto(Biswanath Basu) comes from a middle-class background, a poet by heart but he is stuck with a LIC agent job to meet the basic needs and requirements of his family consisting of wife Sumita(Arunima Ghosh) and son Tutul(Ayush Das).He is philosophical yet practical, as he is aware of the fact that in today's world one cannot sustain himself or his family by writing poetry.Sumita is a housewife who once aspired to be an actress, but now content looking after her husband Subroto and son Tutul.