2/60: 48 Heads from the Szondi-Test

Elephants Dream is the story of two strange characters exploring a capricious and seemingly infinite machine. The elder, Proog, acts as a tour-guide and protector, happily showing off the sights and dangers of the machine to his initially curious but increasingly skeptical protege Emo. As their journey unfolds we discover signs that the machine is not all Proog thinks it is, and his guiding takes on a more desperate aspect. Elephants Dream is a story about communication and fiction, made purposefully open-ended as the world’s first 3D animated “Open movie”. The film itself is released under the Creative Commons license, along with the entirety of the production files used to make it (roughly 7 Gigabytes of data). The software used to make the movie is the free/open source animation suite Blender along with other open source software, thus allowing the movie to be remade, remixed and re-purposed with only a computer and the data on the DVD or download.

This short film introduces us to the "automatistes," followers of an abstract art form that developed in Montreal. The movement, initiated by Paul-Émile Borduas, is explained by the artists themselves when narrator Bruce Ruddick drops in at their cooperative studio. The film also captures painter Paterson Ewen at his home and joins the crowd at L'Échouerie, the artists' rendezvous spot. Dr. Robert Hubbard, chief curator of the National Gallery of Canada, comments on non-objective art in general and automatism in particular.

After a terrible air disaster, survivor Max Klein emerges a changed person. Unable to connect to his former life or to wife Laura, he feels godlike and invulnerable. When psychologist Bill Perlman is unable to help Max, he has Max meet another survivor, Carla Rodrigo, who is wracked with grief and guilt since her baby died in the crash which she and Max survived.

Ernie & Joe follows two officers with the San Antonio Police Department mental health unit who are diverting people away from jail and into mental health treatment — one 911 call at a time.

A scarce and seldom seen cartoon from 1937 with excellent hot jazz and containing caricatures of Cab Calloway, Ted Lewis and Bessie Smith.

First Responders sign up to serve; they risk their lives and their mental health to respond to someone’s worst day. Who will rescue them? PTSD911 is a documentary film about real people: normal, average human beings who have chosen to work in professions that require above average heroism, fortitude, and resolve. These men and women have jobs that require a willingness to face things that most of us can’t even imagine, yet maintain a high level of dignity and professionalism. First responders in fact repeatedly see and experience things that most of us will never see, causing compound issues related to post-traumatic stress injuries and disorders.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The story of one of the most controversial characters in art collecting whose name continues to provoke and divide. Francesco Conz tried to exceed the border between art and life. An entrepreneur from Veneto, in the mid-1970s he decided to give up everything he had to devote himself with great determination to his devouring passion for the artistic avant-gardes of the second half of the twentieth century, which would turn into a real obsession until the tragic ending.

KIM

Mighty Mouse encounters a Time Machine while trying to save pure-hearted Pearl Pureheart from the unwanted advances and clutches of the evil oily-villain, Oil Can Harry. After brief stops in 1620 and 1890, and ancient Egypt, Mighty Mouse finds himself in the prehistoric age of the dinosaurs. He mops up on Harry and the dinosaurs, proving he can take care of anyone, anyplace, anywhere at any time.

After a death in the family, a fragile young man struggles to cling to his fractured reality, which is not at all as it seems.

Alfalfa and the gang build their own "speedboat" powered by ducks, and challenge Waldo to a race for the hand of Darla.

A neighborhood bully convinces Porky to take a puff from his cigar, causing Porky to hallucinate a smoke-man named Nick O. Teen, along with a musical number done by cigars, cigarettes and pipes in the likeness of the 3 Stooges, etc.

A live action black-and-white prolog tells the story of how Walt Disney came to Hollywood with $300, was rejected by all the major studios, but went on to tremendous success, many awards, and a thriving studio. Titles then ask what this means to the Standard Oil Salesman, and a parade of Disney characters gives us the answer, featuring Mickey as drum major, Minnie carrying a banner, and the 7 Dwarfs carrying the letters "STANDARD" (Dopey gets stuck with the last two): Apparently the various ads for Standard will be featuring Disney characters in the coming year.

Sadie tries to recollect what she remembers from one night that led to a tragic moment. As she’s trying to recollect these memories we witness her try to survive a world that lacks compassion, the feelings of someone following her, and living with a Mental Health system that doesn’t care or feel anything toward her. “The Shattering!” is an examination into why it’s important to have compassion or empathy, especially for those who are the most vulnerable fueled by its dark nightmarish atmosphere, and compellingly disturbing visuals.

An aspiring painter meets eccentric locals and a fellow New Yorker while working on a barn in Norway.

Desespero

Based on a fictionalized 2015 memoir from psychiatric nurse Mary Dorsan, the text embeds within a teenage psychiatric ward over the course of a year, teasing out the complex bonds, challenges, frustrations and unexpected moments of grace shared between patients and caregivers.

Faced with ever-growing obstacles, we force ourselves to compartmentalise and persevere; "We Move". What is the collateral damage of always having to put on a brave face?

The documentary, made by the students of RUFA documentary course, followed Alice Pasquini for many months, resuming her pictorial interventions, interviewing friends and family, collecting archival material and participating in meetings for the realization of the book. The flow of images is a sort of specific itinerary that Alice Pasquini takes when she decides to give form and substance to what her mind imagines.