Philippe Geubels: Droog

Stage registration of the comedy special from 2018 by the Dutch comedian Patrick Nederkoorn. Nederkoorn tells about his political career. What inspired him to become a councilor one day. What abject views has he defended? What empty words did he utter? How can you lose yourself in something you believe in so much and then find yourself again?

Stage registration of the first comedy special by the Dutch comedian Martijn kardol. Kardol tells about his fears, caused by terrorist attacks, and about being a control freak.

Veldhuis & Kemper: Onder de douche

Registration of the theater show 'I Amhali' by Najib Amhali. Najib itself is central to this spectacular show full of music. He knows better than anyone that happiness is in the small things. He is happily married and just the father of a second son. But do these great milestones in his life also make him more mature? Not according to his wife, because she is sometimes stuck with three children! The band PlusSupportAct provides the musical accompaniment during this performance.

Registration of the fourth theatre program by the Dutch comedian Pieter Derks.

Diederik van Vleuten: Buiten Schot

The show of Toon Hermans anno 1991

Javier Guzman: Por Dios

Klaas van der Eerden: Sixpack

Registration of the sixth comedy special by the Dutch comedian Eric van Sauers.

Eric van Sauers: Smulpapen

Since 2016, Xander De Rycke has been touring annually with 'Houdt het voor bekeken' (#HHVB), a comedy special about the past year in television and film in Flanders. Previous editions of HHVB focused on the future of Flemish media. Where are we headed? How far ahead are we compared to the rest, and where do we stand head and shoulders above the rest? HHVB 2018·2019 takes a different direction. Increasingly, film and television are treating us to that 'remember when?' feeling. Franchises are being rebooted, old celebrities are being brought back, and we also have to keep an eye on VTM's 30th anniversary. Was everything better in the past? Is there still room for originality? Or do Flemish people prefer to be wrapped in a blanket of nostalgia? We will discover this together and, above all, have a lot of fun in the fourth season of 'Xander De Rycke houdt het voor bekeken' (Xander De Rycke calls it quits)..

Sanne Wallis de Vries: Kaka Passa

René van Meurs: Voor de Storm

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Bert Kruismans: Ratrace

In his third comedy special the Dutch comedian Fuad Hassen talks about how little things can turn out differently than expected, only to change the whole world.

A video-registration of the revue/cabaret show 'Showponies 2' by the Alex Klaasen Revue. In this sequel to the first Showponies-show, Alex Klaassen explores to what extent he cares about what (the still quite heteronormative) society thinks. Klaassen considers coming out for a second time, because he feels like he has ended up in a second closet after his first coming out.