De Alex Klaasen Revue: Showponies 2

Michael van Peel: Van Peel Overleeft 2015

Tim Fransen: Het Kromme Hout der Mensheid

Ton Kas: Kakmaker

Martijn Koning: Koning te rijk

Martijn Koning: Koning van de Lach

Martijn Koning: Koning Chaos

Veldhuis & Kemper: Tijd heelt alle zonden

Registration of the fifth theatre program by the Dutch musical comedy duo Veldhuis & Kemper. The show explores the differences between men and women.

Veldhuis & Kemper: De Geur Van

Veldhuis & Kemper: Hitsig

In his first comedy special the Flemish comedian Pieter Verelst tells a bizarre story about his childhood, which he spent with his brother (existing or not) in a boring village in Flanders. Together they tackle this dullness and use it as a source of inspiration for a strange creativity.

Stage registration of the comedy special from 2018 by the Dutch comedian Patrick Nederkoorn. Nederkoorn tells about his political career. What inspired him to become a councilor one day. What abject views has he defended? What empty words did he utter? How can you lose yourself in something you believe in so much and then find yourself again?

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Bert Visscher: Afijn

Urbanus: Beter 10 Krisis In De Lucht Dan 1 In Ons Land

Daniël Arends: De Afterparty

Daniël Arends: Meer van hetzelfde (Deel 1)

Stage registration of the first comedy special by the Dutch comedian Micha Wertheim. The central idea of ​​the performance is: 'Some people think I'm arrogant, but I spit on them."

Tineke Schouten - Posi-Tien

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.