Saint Paul

A prospective wish is announced at the very beginning: "Imagine a land without ownership". Ownership? Since when? How? Where? With which implications? This is what Marwa Arsanios endeavours to discover in the fourth part of her meticulous ongoing project whose generic title is Who Is Afraid of Ideology? After documenting feminist experiments of community autonomy in Lebanon, Kurdistan and Syria (Who Is Afraid of Ideology? I&II, FID 2019), Marwa Arsanios ventures a hypothesis in the form of speculative fiction, from a remote piece of land in Lebanon, a cut in a stone quarry. In this small piece of land, a few sidekicks make that postulate, and slowly share stories of domination and exploitation. This land has a complicated administrative, legal, geological and biological history. (Nicolas Feodoroff - FIDMarseille)

'Consumed' is a cinematic journey through the landscapes, mines, factories, and shipyards of Chinese production. Blurring the lines between documentary and fiction, a single worker narrates his story to the rhythm of industrial machinery. The film reveals the hidden world behind our everyday objects, re-framing complex supply chains that feed global desires as a narrative performance played out at a global scale, and investigating the place of the individual within this context.

Josh-awan Bulman details some highlights of the Zhuang Alliance Group's Style Guide.

In the week when Hindus celebrate the holy festival of Diwali, this documentary tells the story of one of their faith's most sacred symbols - the swastika. For many, the swastika has become a symbol synonymous with the Nazis and fascism. But this film reveals the fascinating and complex history of an emblem that is, in fact, a religious symbol, with a sacred past. For the almost one billion Hindus around the world, the swastika lies at the heart of religious practices and beliefs, as an emblem of benevolence, luck and good fortune.

The plot of the film unfolds in the ancient monastery of Dokhiar on the west coast of Mount Athos, on the Aegean peninsula. This peninsula is given to the exclusive use of the monks of Eastern Christianity. Images of nature are woven into a virtually uninterrupted series of work and prayer, lining up in the rhythmic interrelation of man and nature. The central figure of the film was the monastery’s elder, Hegumen Gregory, whose long-term experience of spiritual nourishment rewarded him with a deep understanding of the human soul and her desire to return to the state characteristic of Adam’s human nature before the fall.

Made refugees by the war in Ukraine, Olga and her granddaughter Milana travel to a summer camp in the Austrian Alps to test the limits of their own bravery, and to strengthen their growing bond.

Children of lesbian mothers talk frankly about their mothers' coming out, their own homophobia, and how they feel about being raised by lesbian mothers.

In 1992, at the height of the AIDS pandemic, activist Terence Alan Smith made a historic bid for president of the United States as his drag queen persona Joan Jett Blakk. Today, Smith reflects back on his seminal civil rights campaign and its place in American history.

A mother determines to see her son faced with autism and depression overcome challenges, along with support from family, the community and teachers.

Explores the Real Presence of Christ in the Eucharist through biblical origins, expert insights, and personal testimonies, revealing the Eucharist's transformative power for those who believe.

Documentary on the making of the film featuring interviews with distributor Julian Schlossberg and actor Joyce Van Patten.

André de la Varre presents Nias and Sumatra, Islands of Netherlands India.

Underwater and microscopic photography by F. Percy Smith tell the story of a newt's life.

The stories of Khaled El-Masri and Binyam Mohamed, two men who have survived extraordinary rendition, secret detention, and torture by the U.S. government working with various other ma

Punk rock, B-movies, and Jehovah’s Witnesses unite in this heartfelt documentary. As members of Jehovah’s Witness start to explore culture outside of their religion, they have to wrestle with the possibility of being excommunicated from friends and family. Featuring in-depth interviews and extensive home video footage, Witness Underground tells the story of punk rocker Witnesses pushing against the highly controlling Jehovah’s Witnesses religion as they build their own community through music and art. This prolific community of Witness musicians create their own record label, Nuclear Gopher, and become early adopters of promoting their music through the internet, including what may have been the first album to ever be livestreamed. This community’s history is well documented through archival footage of their home movies and self-produced music videos, all with a very charming energy.

A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.

COLLISION carves a new path in documentary film-making as it pits leading atheist, political journalist and bestselling author Christopher Hitchens against fellow author, satirist and evangelical theologian Douglas Wilson, as they go on the road to exchange blows over the question: "Is Christianity Good for the World?". The two contrarians laugh, confide and argue, in public and in private, as they journey through three cities. And the film captures it all. The result is a magnetic conflict, a character-driven narrative that sparkles cinematically with a perfect match of arresting personalities and intellectual rivalry. COLLISION is directed by prolific independent filmmaker Darren Doane (Van Morrison: Astral Weeks Live at the Hollywood Bowl, The Battle For L.A., Godmoney).

The life of Shona mbira player Gwanzura Gwenzi coexists in both the traditional and modern worlds: he works in the city for a large western corporation; at his rural homestead, he is the family head who hosts all-night spirit ceremonies, called bira. His sister Francisca is the family medium for the spirit of Kaodza, their great-grandfather. The highlight and centerpiece of the film is a bira, perhaps the only one ever completely captured on film. We see the various stages and liturgical components of the ceremony, culminating in the arrival of the spirits late at night. Francisca’s daughter, now-famous mbira player Stella Chiweshe becomes possessed by a snake spirit. Kaodza arrives through Francisca, and the family confers with the spirit in an extraordinary scene that shows how ancestors interact with the living. (Description credit: Villon Films)

Arizona Sheepdog is a documentary film that was originally released to theaters by Buena Vista Distribution on May 25, 1955 as a double-bill with Davy Crockett, King of the Wild Frontier.

Katedrála zázrakov