A documentary crew detail the struggle of Unbelievable Productions' visionary leader, Madeleine LaRoy, to stage a revolutionary reboot of Shakespeare's MACBETH (in space), with the help of her faithful best friend/choreographer/costume & set designer/tea lady/everything else, Deirdre Snowflake Fleckman. Madeleine enlists young drama school graduate Scott Johnson and alcoholic veteran of the stage Desmond Darke to help her mount her astounding vision.
貌斬りKAOKIRI~戯曲「スタニスラフスキー探偵団」より
Quelle famille !
Pièce montée
At sixty, Bernard Hubert has finally settled down and lives perfect love with Juliette, who is more than twenty years younger than him when they see landed, Thomas, an attractive thirty-something who claims, DNA test in support that he is Bernard's son. Problem: Bernard Hubert claims that he is sterile! Another problem: Juliette doesn't seem insensitive to the boy's charm. Would Bernard have opened the door to his son or his rival?
Moses und Aron is a three-act opera by Arnold Schoenberg with the third act unfinished. The 2015 Production was led by Romeo Castellucci in Paris. Moses und Aron was filmed for television by film director François-René Martin, in co-production with the Paris Opera, Bel air Media and Arte, with support from the CNC.
Millowitsch Theater - Die Prinzessin vom Nil
Millowitsch Theater - Drei kölsche Jungen
Millowitsch Theater - Das Liebesverbot
Millowitsch Theater - Der Meisterboxer
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
Treize à table
Claudine, a florist in her fifties, has an appointment with Valentin, her best friend and confidant. She wants to tell him about the love she has felt for him for five years. But the young man is an eternal seducer. He does not seem to be on the same wavelength as her friend.
François Pignon, an accountant in a condom factory, learns that he is going to be fired. Already overwhelmed by personal problems, he decides to throw himself out the window. He is stopped in his tracks by his next-door neighbor who suggests an unexpected plan to keep his job: pretend to be a homosexual. Assuming that in this age of political correctness, one does not fire a gay man, he manages to convince Pignon to play along while remaining a discreet and shy little man... What will change is the way others look at him. Pignon will thus benefit from an unusual reintegration by coming out of a closet where he had never entered.
It portrays the memories of Matilda Kshesinskaya and her love affair with the last Tsar of Russia, Nicholas II. Matilda, a Polish-born ballerina from the Mariinsky Theatre in St. Petersburg, had a brief and intense romance with Nicholas between 1892 and 1894, before Nicholas married Alexandra Feodorovna and was crowned Tsar after his father's death. It also explores their relationship, facing societal pressures and interference from Nicholas's mother, Empress Maria Feodorovna, as well as Matilda's involvement with other members of the imperial family, the Romanovs, such as Grand Duke Sergei Mikhailovich and Grand Duke Andrei Vladimirovich.
In this witty monologue, Quentin Crisp advises and opines about personal style (with a few digressions).
Millowitsch Theater - Adel verpflichtet zu nichts
Director Werner Herzog, one of the most highly acclaimed German film makers, joins forces with the great Italian conductor Riccardo Chailly to effect a masterful rendition of this rarely-performed opera involving spectacular scenes of alternating light and dark, pageantry and intimacy. Staged and recorded at Teatro Comunale di Bologna in Bologna, Italy.
Ma femme s'appelle Maurice
C'est pas du tout ce que tu crois