Puedo sentir mi cuerpx del otro lado de la línea

Strange experimental short film that follows four days of a writer.

Soon after getting married, couple Maya and Andi begin to experience eerie disturbances from unseen malevolent forces.

Having just lost her mother, Anna finds herself facing a nightmarish situation...a fur monster appears in her home. She will have to live with this strange being.

After a series of murders begin to happen at Gregory Hills school, a group of friends decide to investigate the bodies, thus beginning a great search for the truth and discovering the real killer.

A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.

Margot enjoys life pleasures: eating, drinking, smoking, dressing in nice clothes. However, when her proposal for an advertising campaign is rejected, she becomes aware of how lonely she feels. Then Anna stands at her door. Anna was sent by the health insurance to make Margot lose weight. Every evening Anna prepares a healthy, light dinner for Margot. Margot is gradually overcomes her aversion towards Anna, who keeps her company during their dinners. A fine and fragile friendship develops. Yet, when Margot gains weight again, the insurance orders Anna to end the mission. At their last dinner, their friendship is put to the test and secrets are unveiled.

A festival of digestion on many scales, from planetary to microbial.

An exploration of the interconnected experiences of queerness and illness, this film navigates personal and collective journeys through medical spaces, sexual violence, and survival, displays the profound impact on body and identity.

Jefri and Sarah are an adulterous couple now desperately trying to create an alibi after the corpse of Sofia, the lawful wife they murdered, mysteriously disappears from the morgue. Arya Pradana, a police investigator, uses all his logic to uncover the truth. Has the corpse come back to life to take revenge on her killers?

Writing a letter to Paul B. Preciado, trans philosopher and filmmaker, as one would write to a friend. Undertake a healing process as a queer child growing up in a Spanish evangelical family. From Lausanne to New York, Lézio Schiffke-Rodriguez follows in the footsteps of revolutions that invite us to redefine our vision of binary bodies.

A surreal meditation on chronic illness and anxiety, Prion follows a character's struggle with self-acceptance as their fears manifest in the form of a sickly, white deer.

Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.

The confluence of words and movement propels this multi-layered collaboration by Atlas, choreographer Douglas Dunn, and poets Anne Waldman and Reed Bye. Dunn's athletic choreography is performed to the rhythms, cadences, and associative meanings of the poets' "cascade of words," which function as music. Atlas introduces narrative references, ironically staging the dance in unexpected locations, including domestic interiors and vehicles. In a self-referential deconstruction that punctures the theatrical illusion, the poets are seen reading their texts and interacting as self-conscious performers within the dance. Atlas and his collaborators intersect the language of words with the language of the body.

Once 8 year old Simon gets shrunk down to a microscopic level by a talking teddy bear, he ventures into the body of his ailing grandfather in search of the source of his illness.

Jagoda and Zuzia giggle in the opening scenes in the way that only 11-year-old girls can. Together they are the center of their own changing world. On the face of it, not much happens in the lives of these Polish best friends, but big changes are on the way. The end of primary school is in sight, and the girls are impatiently awaiting first love, budding breasts and first periods.

13 figures de Sarah Beauchesne au 71, rue Blanche

Ahead of the upcoming swimming competition, 11-year-old Ziggy discovers something that's happening to his body. A transformation that makes him want to hide.

Loose impressionistic brushstrokes sketch a series of portraits of two faces, one male and one female, while the verse on the soundtrack tells the tale of both one and a thousand relationships.

"Barriers" is a documentary in which three women over 60 and a group of young women participate in a game that exposes the prejudices surrounding sexuality in later life. Through these letters, the young women ask the older women about their intimate lives. This creates a space that sheds light on both the taboos and the discomfort that persist around the topic. A space open to silence and deep conversations. At the same time, we discover the stories that characterize these social figures.

Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.