Armed with a camera and eighteen clean pairs of underwear, Josefien Hendriks hitchhikes The Netherlands and askes passengers questions about faith, friendship, love and death.
In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.
Addresses misunderstandings of learning differences and demonstrates potential in dyslexic persons.
MAJOR! follows the life and campaigns of Miss Major Griffin-Gracy, a 73-year-old Black transgender woman who has been fighting for the rights of trans women of color for over 40 years.
A documentary that follows up on what happened to the three principle actors in Robert Bresson's "Pickpocket."
A follow up to award winning documentary 'Herb & Dorothy', the film captures the ordinary couple's extraordinary gift of art to the nation as they close the door on their life as collectors. When Herb and Dorothy Vogel, a retired postal clerk and librarian, began collecting works of contemporary art in the 1960s, they never imagined it would outgrow their one bedroom Manhattan apartment and spread throughout America. 50 years later, the collection is nearly 5,000 pieces and worth millions. Refusing to sell, the couple launches an unprecedented gift project giving artworks to one museum in all 50 states. The film journeys around the country with the Vogels, meeting artists who are famous or unknown, often controversial, striking today's society with questions about art and its survival.
'A Walk to Within: The Camino de Santiago' tells the story of walking the ancient 500-mile pilgrimage across norther Spain known as 'The Camino de Santiago'. The documentary follows six strangers from incredibly diverse walks of life as they attempt to cross an entire country on foot with only a backpack, a pair of boots, and an open mind. Each pilgrim throws themselves heart-and-soul into their physical trek to Santiago de Compostela, and their personal journey to themselves. As you watch, you will learn the rich history of this honored tradition, as well as witness the Camino's remarkable ability to change lives and provide those who choose to walk its paths with a greater sense of self and spiritual knowledge.
Never before has the extraordinary life of Mexican artist Frida Kahlo been framed in relation to the full spectrum of the historical and cultural influences that shaped her. THE LIFE AND TIMES OF FRIDA KAHLO explores the 20th century icon who became an international sensation in the worlds of modern art and radical politics.
In 1964 a colossal pre-Hispanic monolith was taken from the town of San Miguel Coatlinchan in the state of Mexico and brought to the National Museum of Anthropology in Mexico City. Since then, the absence of the monolith has been present in the memories of the inhabitants, as well as in endless reproductions and ripostes.
A born rebel and innovator, Lupe Yoli aka La Lupe or La Yiyiyi was renowned for her emotional performances. Her renditions of classics such as "My Way," "Fever" and "Going Out of My Head" were known worldwide. But beyond her musicianship, celebrity and scandal, Lupe Yoli was also a single mother of two, a survivor of domestic abuse, a Santera who later became a Christian Evangelist speaker.
Cameras follow the day-to-day life of model/actress/businesswoman/heiress/icon Paris Hilton.
Ukraine's topless feminist sensation Femen has created a media frenzy across Europe, but before they take the world by storm, these bold and beautiful women must confront the dark and perverse forces that power their organisation.
Many of us assume that there are only two genders and that being female or male follows from the sex of our biological bodies. Focusing on the art, photography and performances of four "alternative" gender artists Assume Nothing poses the questions: "What if "male" and "female" are not the only options?
Ngor is a young man living in a Senegalese village who wishes to marry Coumba. Ongoing drought in the village has affected its crop of groundnuts and as a result, Ngor cannot afford the bride price for Coumba. He goes to Senegal's capital city, Dakar, to try to earn more money and is exploited there. He returns to the villagers and shares his experiences of the city with the other men. The story, which shows the daily lives of the villagers, is told in the form of a letter to a friend from a villager, voiced by Faye.
More than sixty years after leaving high school, former classmates Alicia, Gema, Angelica, Ximena and Maria Teresa are still devoted to their regular catch-ups in which they exchange gossip and reminiscences over elaborately presented afternoon teas. Impeccably turned out, the ladies’ free-wheeling tea-time chats run the gamut from mortality and marital infidelity to soccer and twerking.
Filmmaker Estela Renner analyzes the effects that mass media and advertising have on children, showing how the industry discovered that they are the best targets for selling products. In addition to listening to them, the film talks to parents who report how influential their children are at home and how this is directly linked to advertisements, and experts debate the negative effects of this exposure.
Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.
Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)
This is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Trinh T. Minh-ha deconstructs the role of ritual in mediating between the past and the present.
The first feature film from accomplished short filmmaker Kate Shenton, On Tender Hooks is a documentary film delving into the world of human suspension and the people involved. Kate spends a year following a different people and group of suspenders. Every Sunday they pierce themselves with hooks and hang in mid-air from rigs in a display that challenges the perceptions and squeamishness of even the most hardened. The film is a fly on the wall documentary showing how the ordinary human body can achieve extraordinary things. Beginning with groups in London, and then following events in Rico, Croatia and Oslo, Norway, the film depicts a wide variety of experience and opinions, and delves thoughtfully into a deeply misunderstood practice On Tender Hooks was a self-funded project filmed and edited by director Kate Shenton. Completed in 2012 it is an example of independent film-making at its purest.