Singapore GaGa

The North of Cauca is the region of Colombia most affected by the internal armed conflict since 1940. There is an orchestra of ancestral music composed of young indigenous people of the Nasa ethnic group who, with their instruments, their voice and their poetry, remember Maryi Vanessa Coicue, Sebastian Ul and Ingrid Guejia, three of the hundreds of indigenous children who have died because of this eternal and useless war between leftist guerrillas, armed groups of the extreme right, drug traffickers and the Colombian State.

An indigenous lawyer represents the division among his people between traditional caring for the land and developing the resources it contains.

Filmmaker Stephanie Wang-Breal sets out to cross the generational divide, confronting long-simmering tensions with her Chinese immigrant mother by literally becoming her. Dressing in her mom’s iconic St John Knit power suits and re-creating her 1980s local TV cooking show, Stephanie becomes Beta-Florence, a radical reinterpretation of Asian-American identity.

Interweaving footage from the director’s three visits to North Korea with songs, spectacle, popular cinema and archival footage, Songs from the North takes a different look at this enigmatic country typically seen through the distorted lens of jingoistic propaganda and derisive satire. Challenging the meaning of freedom, love, patriotism and ultimately the human condition, it tries to understand, on their own terms, the psychology and popular imaginary of the North Korean people and the political ideology of absolute love which continues to drive the nation towards its uncertain future.

Christian Taylor, a writer on hit TV series Six Feet Under, is being profiled by a British documentary crew when he's sacked, though he doesn't know they've overheard the firing. They follow him to Las Vegas, where he is ostensibly doing "research" for the next season, but is actually pursuing a dream to become a dancer in a Vegas show.

In the far, far North, where the day begins and the oceans meet, a small hamlet New Chaplino is situated. The government decided to turn the village into a tourist resort. It is winter, 30 degrees Celsius below zero. The tourists are not coming. There are only few memories of them and the snow has already covered their footprints. A documentary about the tourism influence on original ethnic groups that haven’t been affected by civilization so far and about the changes of how they experience their own culture. The documentary takes place on the Russian far north – in the Chukotka region.

Follows unaccompanied child migrants, on their journey through Mexico, as they try to reach the United States.

A minute-by-minute account of the Boxing Day 2004 Tsunami told through amateur video footage of people who were there.

Soon after the fall of Baghdad in 2003, a young and charismatic film student, Muthana Mohmed, stands in the rubble of the city's film school and explains to an American television audience that his dream of becoming a filmmaker has been destroyed - first by Saddam Hussein, then by American bombs. This brief, fortuitous appearance on MTV changes Muthana's life forever. Watching in the United States, actor/director Liev Schreiber stops channel surfing, utterly captivated. Feeling guilty about a war he opposed, Schreiber decides to extend to the unknown Iraqi the opportunity of a lifetime - to come to Prague to work on an American movie, Everything Is Illuminated. On set, frustrated expectations complicate the relationship between Muthana and his American benefactors in what becomes a cross-cultural endeavor gone awry. Filmmaker Nina Davenport becomes increasingly entangled in the young Iraqi's life as his visa is about to expire and the threat of returning to Baghdad looms...

Through intimate interviews, provocative art, and rare, historical film and video footage, this feature documentary reveals how art addressing political consequences of discrimination and violence, the Feminist Art Revolution radically transformed the art and culture of our times.

Imagine a world in which people seem hostile while inanimate objects appear friendly – even affectionate. Imagine dreading the touch of another human but longing for a passionate encounter with a large public structure. This is the strange world of the "objectum sexual"– a group of people, mainly women, whose intimate lives revolve around objects with which they say they share romantic and sexual love. Erika is married to the Eiffel Tower. She has a passion for inanimate objects, and her mission is to fight the stigma surrounding the disorder and create a global network of sufferers - like Amy, in love with a church organ, and Eija Riita, who married the Berlin Wall.

"Solidarity! All for One and One for All!" With that slogan, the Industrial Workers of the World, aka the Wobblies, took to organizing unskilled workers into one big union and changing the course of history. This award-winning film airs a provocative look at the forgotten American history of this most radical of unions, screening the unforgettable and still-fiery voices of Wobbly members--lumberjacks, migratory workers, and silk weavers--in their 70s, 80s, and 90s.

Love them or hate them, the Yankees remain the most glorified team in American sports history. Led by the Babe, the Iron Horse, the Yankee Clipper and the Mick, they dominated baseball for more than four decades before the legendary franchise sagged under the ownership of CBS. Then in 1973, a 42-year-old shipbuilder named George Steinbrenner, a man now as iconic to his team as the pinstripes on its uniforms, headed a group that purchased the Yankees, and turned that investment into a billion-dollar business. Since 1923, the ‘House that Ruth Built’ has been the epicenter of the baseball world, inspiring generations of fans to maintain loyalties through good times and bad. But with a deteriorating facility and an eye towards 21st century style revenues, Steinbrenner was inspired to build an impressive new stadium. While the Yankees kept their Bronx address at 161st and River Avenue, the new ballpark marked the end of one grand era with the hope of launching another.

The first time Chris Evert and Martina Navratilova stepped onto a tennis court together, the world scarcely noticed. Only a few hundred spectators saw the pert 18-year-old beat the scrappy 16-year-old Czech in 1973. “I remember that she was fat,” Evert recalled. “She was very emotional on the court, whining if she didn't feel she was playing well. But I remember thinking, if she loses weight, we’re all in trouble.” Said Navratilova, “My goal was for her to remember my name.” Eighty matches later – amid the extraordinary growth of women’s tennis – Evert not only remembered, but became a tried and true friend and confidante, remarkable considering the two appeared to be polar opposites in upbringing, life styles and personal relationships. Through a series of personal conversations, this documentary will tell the story of one of the greatest one-on-one sports rivalries and capture these two extraordinary athletes’ views on tennis and an ever-changing world.

Four children enter a high-stakes lottery. If they win, they can attend one of the best schools in New York. A look at the crisis in public education, The Lottery makes the case than any child can succeed.

Another kind of utopia is presented in the films of Naomi Uman, whose search for her family roots in the Ukraine led her to move to the small village of Legedzine. In "Unnamed Film", she shoots the old bubushka ladies as they expertly prepare pickles, pick vegetables, and sing odes to vodka. Shot on 16mm with non-sync sound, it has an intimate, handmade quality, only heightened by the use of explanatory inter-titles in place of subtitles. Uman’s Ukrainain was weak, so she wanted the viewer to have the same experience as she did, just getting the gist of things. As with Uruphong’s work, there is a nostalgia for the old ways, which were self-sufficient but took an incredible toll on the body. The bubushkas complain about their aching backs and the never-ending poverty, spiking any drift towards romanticization.

Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.

Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)

Some Bright Morning: The Art of Melvin Edwards

Bondo: A Journey Into Kono Womanhood