Goodbye Burlesque

Combining his trademark wit and self-deprecating humor with original music, Bo Burnham offers up his unique twist on life in this stand-up special about life, death, sexuality, hypocrisy, mental illness and Pringles cans.

A mother takes her two sons on an unusual road trip from New York to Pittsburgh, St. Louis and eventually Hollywood in her quest to find a man to take care of them all.

Britain, 1958. Restless at school and bored with his life, Jim leaves home to take a series of low-level jobs at a seaside amusement park, where he discovers a world of cheap sex and petty crime. But when that world comes to a shockingly brutal end, Jim returns home. As the local music scene explodes, Jim must decide between a life of adult responsibility or a new phenomenon called rock & roll.

This Canadian made comedy/drama, set in Hamilton, Ontario in 1954, is a sweet and - at times - goofy story that becomes increasingly poignant as the minutes tick by. It's the fictional tale of a wayward 9th grader, Ralph (Adam Butcher), who is secretly living on his own while his widowed, hospitalized mother remains immersed in a coma. Frequently in trouble with Father Fitzpatrick (Gordon Pinsent), the principal of his all-boys, Catholic school, Ralph is considered something of a joke among peers until he decides to pull off a miracle that could save his mother, i.e., winning the Boston Marathon. Coached by a younger priest and former runner, Father Hibbert (Campbell Scott), whose cynicism has been lifted by the boy's pure hope, Ralph applies himself to his unlikely mission, fending off naysayers and getting help along a very challenging path from sundry allies and friends.

Bentzi, Momo, and Yuda'leh are three teenage boys growing up in 1950's Israel, which is not much different from 1950's America if you believe what you see in the film. Of course they are obsessed with one thing - sex. Bentzi is interested in the beautiful Nili, but she prefers his friend Momo.

Swedish efficiency researchers come to Norway for a study of Norwegian men, to optimize their use of their kitchen. Folke Nilsson (Tomas Norström) is assigned to study the habits of Isak Bjørvik (Joachim Calmeyer). By the rules of the research institute, Folke has to sit on an umpire's chair in Isak's kitchen and observe him from there, but never talk to him. Isak stops using his kitchen and observes Folke through a hole in the ceiling instead. However, the two lonely men slowly overcome the initial post-war Norwegian-Swede distrust and become friends.

Two sharpie promoters (Don Barry and Frank Jenks) put on a show they believe is so bad it will not play more than one day and they therefore will not have to pay the long list of investors,i.e, suckers and buyers. But one of the investors dies intestate and his interests pass to the state. The governor's secretary (Lynne Roberts) engages new talent (the Four Step Brothers, Guadalajara Trio, St. Clair & Vilvoa, Dolores and Don Graham, et al) and a new orchestra (Jan Savitt), in order to make the show successful and a profitable investment for the state. Barry (in another of the vast majority of his films in which he was not billed as Don "Red" Barry), who has fallen in love with the first-billed Roberts, reforms and buys up the surplus stock.

A naive business graduate is installed as president of a manufacturing company as part of a stock scam.

A domestic black comedy, MISTER E expresses some of the edgier mischief and discontent that women of mid-century America could rarely express openly. This short film narrates the revenge acted out by a young wife, left at home while her husband is at a card game; by staging a rendezvous with a mannequin, this woman provokes an eruption of jealousy and violence before bringing about the desired marital tenderness. Preserved by Chicago Film Archives with support from the Women’s Film Preservation Fund.

In 1954 Florida, a group of high schoolers seek out to lose their virginity which leads them to seek revenge on a sleazy nightclub owner and his redneck sheriff brother for harassing them.

A fateful night in 1959, four people die when the bus they are riding crashes. They continue as ghosts; their souls become eternally entwined to the life of a child born at the moment of their deaths as his guardians. Baby Thomas grows up to be a businessman who has memories of his playmates, but assumes they are products of his youthful imagination. When the ghosts realize they need Thomas' help to move on to the afterlife, they decide to make an appearance once more.

As a live woman performs a striptease, she's cheered on by an audience of small cartoon men. Some of them pop in the excitement as she brings down the house.

Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.

During the summer of 1955, seventeen-year-old Eric Hansen embarks on a journey in his new town, a journey which will change his life forever.

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.

The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.

Spain, 1970s. While a cruel dictatorship rules an eternally grey country through fear, violence, repression and censorship, María, a young dancer, dreams of bringing bright colours into her life and the lives of others, as she makes her way towards personal freedom and pursues her crazy dream of becoming a TV star; a very funny journey in which she will be comforted by the pop songs of the incomparable Italian singer and dancer Raffaella Carrà.

Aspiring rock star and broken-hearted bartender at a burlesque club takes over the stage and sings his feelings to a perplexed audience. Through his awkward performances, he gets over his breakup and opens up to someone new.

A writer decides to join a burlesque show so that she can write an authentic expose of the business.

The Baroness de Courtebise presides over an association of mothers-in-law with grievances against their sons-in-law. Armed with her prerogatives, she forbids the marriage of her daughter-in-law to the mayor's nephew, especially as an inheritance is in doubt. The ladies kidnap, the men kidnap, the election campaign turns sour and the Baroness must capitulate. She takes revenge by falling into the mayor's arms.