Our Daughter

The plot centers on students involved in the Soweto Riots, in opposition to the implementation of Afrikaans as the language of instruction in schools. The stage version presents a school uprising similar to the Soweto uprising on June 16, 1976. A narrator introduces several characters among them the school girl activist Sarafina. Things get out of control when a policeman shoots several pupils in a classroom. Nevertheless, the musical ends with a cheerful farewell show of pupils leaving school, which takes most of act two. In the movie version Sarafina feels shame at her mother's (played by Miriam Makeba in the film) acceptance of her role as domestic servant in a white household in apartheid South Africa, and inspires her peers to rise up in protest, especially after her inspirational teacher, Mary Masombuka (played by Whoopi Goldberg in the film version) is imprisoned.

A drama centered on a rebellious girl who is sent to a Southern beach town for the summer to stay with her father. Through their mutual love of music, the estranged duo learn to reconnect.

Another thrilling adventure for Elsa the lioness as she works her magic on two teenagers struggling with changes in their life.

William Keane is barely able to cope. It has been six months since his six-year-old daughter was abducted from New York City’s Port Authority Bus Terminal while traveling with him. Repeatedly drawn to the site of the abduction, Keane wanders the bus station, compulsively replaying the events of that fateful day, as if hoping to change the outcome.

Bejo, 12 years old, lives with his brother Mario, a sculptor. Having heard the news on the radio his dream is to see the Bissau carnival, but he has been forbidden to do so. He escapes, wanders throught the forest, crosses rice fields until the river next to the city. His brother will look for him during the carnival...

Two brothers are divided by marriage and fate during the 100 horrifying days of the 1994 Rwandan genocide.

A cast of unknown performers are used in this drama about child soldiers fighting a war in an unnamed African country.

An epic about anthropologists who hunt and capture pygmies for study back in Europe, in an attempt to illustrate the link between man and ape.

After his daughter died of cancer, former French foreign legionnaire "Straight Shooter" alias Volker Bretz threatens those who financed, built, favoured and now work the nuclear power plant Atar II to kill one of them each day until the plant is shut down. His former drill sergeant, Frank Hector, who now owns several night clubs and brothels, is the only one who might be able to stop the maniac killing specialist. Frank is flown in instantly, but soon has to find out that his former comrade's actions might be a result from an event long ago.

The story about the age gap between a scientist father, Philipe Le Tallec, and his newly discovered teen aged daughter, Eglantine.

A film about the difficulty for even the most well-intentioned person to know and respect another culture. In this case, the problem is so acute that there is even heated debate over what to call that 'other.' The subtitles in the film use the familiar word 'pygmies,' a relatively pejorative European term; the Bantu or villagers' expression for the same group, Babingas, carries similar negative connotations. These highly specialized, tropical rainforest hunter-gatherers should perhaps be called by their own ethnonym, Aka, MoAka (sing.) and BaAka (pl.)

Nala live a seemingly harmonious family. The father always prayed for his family to remain healthy and happy, both in this world and the hereafter. However, a figure from the father's past, whose matters remained unresolved, eventually caused a rift in their family life.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

A veteran sergeant of World War I leads a squad in World War II, always in the company of the survivor Pvt. Griff, the writer Pvt. Zab, the Sicilian Pvt. Vinci and Pvt. Johnson, in Vichy French Africa, Sicily, D-Day at Omaha Beach, Belgium and France, and ending in a concentration camp in Czechoslovakia where they face the true horror of war.

Beginning of the 20th century in the east of Sudan. Tajouj is the beautiful cousin of a young tribesman who falls in love with her and proclaims his love out loud in a song. However, the traditions of his tribe forbid such love, and his uncle refuses his request to marry Tajouj. But after the young man leaves the village and declares his remorse, the marriage is finally allowed after all. In the meantime, however, another man has expressed interest in Tajouj. A story full of jealousy ensues, which ends in tragedy.

Juju Stories tackles juju in contemporary Lagos through three stories. In Love Potion, by Omonua, an unmarried woman agrees to use juju to find herself an ideal mate. In Yam, by Makama, consequences arise when a street urchin picks up seemingly random money from the roadside. In Suffer the Witch, by Obasi, love and friendship turns into obsession, when a young college woman attracts her crush's interest.

A USSR animated short adapted from one of Jomo Kenyatta's fables.

Based on the experiences of Agu, a child fighting in the civil war of an unnamed, fictional West African country. Follows Agu's journey as he's forced to join a group of soldiers. While he fears his commander and many of the men around him, his fledgling childhood has been brutally shattered by the war raging through his country, and he is at first torn between conflicting revulsion and fascination.

An Italian in East Africa having an affair with a coloured woman realises that his treatment of her is as tyrannical as more overt superior colonialist dogma. Based on a novel by Enrico Emmanuele.

Blind Mrs. Lind comes to American to visit her three children whom she thinks are successful.