The Broken Altar

Pandemic Tour Belako

A video documentary/road trip that celebrates the drive-in movie theater's impact on the United States, and pays homage to the people who keep the few remaining ones fully operational. Features interviews with horror movie maker John Carpenter, movie critic John I. Bloom (aka "Joe Bob Briggs"), Michael Wallis, author of "Route 66: The Mother Road," and others.

A darkly beautiful visual essay that explores human emotion in response to societal standards. With a lone cello providing the soundtrack, this collage of archival footage from 1950’s-era films is a superb example of manipulation via sound and image (Dorothy Woodend, DOXA Documentary Film Festival)

In Thorold, Ontario in the summer of 1996, a movie legend was made when a real-life tornado hit a drive-in theatre during a screening of Twister. But how much truth really lies inside this tale of life (or weather) imitating art?

Paying tribute to some of America's only surviving drive-ins – and those who keep them running – this heartfelt documentary captures efforts to preserve these nostalgic theaters in small-towns across the country.

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

A feature-length documentary that goes behind the scenes to get to know the families who own and operate drive-in theaters.

A nostalgic, informative history of drive-in movie theaters, featuring extensive archival photographs and interviews with Leonard Maltin, John Bloom, Samuel Z. Arkoff, Barry Corbin and many others... Drive-In Movie Memories is a film celebration of America's greatest icon of youth, freedom and the automobile. What began as an auto parts owner's business venture to make some easy money accidentally became a magical place where romance, fun and a sense of community flourished. This film chronicles the drive-in's birth and development, its phenomenal popularity with audiences of all ages, its tragic decline, and its inevitable comeback as a classic form of Americana.

A short experimental documentary is filmed at the last drive-in movie theater in Los Angeles, located in a desolate area called the City of Industry. Floating within a backdrop of smokestacks, beacon towers and passing trains, dislocated Hollywood images filled with apocalyptic angst are re-framed and reflected through car windows and mirrors as the displacement of the radio broadcast soundtrack collides with the projections upon and surrounding the multiple screens. In VINELAND, the nocturnal landscape is seen as a border zone aglow with dreamlike illusions revealing overlapping realities at the intersection of nostalgia and alienation.

A collection of Drive In Movie Intermission ads from the 1950's - 1960's.

Two lifelong buddies must unravel the circumstances that led to a corpse in their bathtub in the wake of a Halloween party.

A pair of slackers get in way over their heads when they try to dump the body of a dead girlfriend in the basement of a drive-in movie theater where a satanic cult performs ritual sacrifices.

Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.

Two police detectives try to catch a serial killer who is stalking a rural California drive-in theater, randomly killing people with a sword.

Twins Todd and Terry seem like sweet boys -- that is, until one of them takes an axe to the face of a fellow patron at the local drive-in.

Kim Taylor inherits her grandfather's drive-in theatre. She must raise $25,000 over one weekend or the bank will take the property from her. She also has to deal with pesky capitalist J.B. Winston.

Grief-stricken suburban parents refuse to accept the news that their son Andy has been killed in Vietnam, but when he returns home soon after, something may be horribly wrong.

A young woman passes an emotional night in the city.

In the future, a health nut and his tag-along girlfriend become trapped in a drive-in theater that has become a concentration camp for outcast youths.

An aging horror-movie icon's fate intersects with that of a seemingly ordinary young man on a psychotic shooting spree around Los Angeles.