Dias de Greve

Directed by Martin Berger.

I have been pretty satisfied with my life before I got on the bus. When I do in June 2011, my whole life turns upside down. I am just a regular passenger at first. Like other people I was sorry, and felt obliged to help and care for other passengers. Then I begin to film these common heroes with my camera. Those who speak about hope, who provide it and get on the bus, Ms. Kim Jin-suk, and other crane laborers who risk their safety while demonstrating for their rights on high. She, while stationed insecurely on high, begins interacting with the world through Twitter and makes friends. Then I realize I really love her. Will we have her back safely?

In response to a sudden dismissal of staff, workers at a big retail store begin a protest against their employer's oppressive labor policies.

The Delano Manongs tells the story of farm labor organizer Larry Itliong and a group of Filipino farm workers who instigated one of the American farm labor movement’s finest hours – The Delano Grape Strike of 1965 that brought about the creation of the United Farm Workers Union (UFW). While the movement is known for Cesar Chavez’s leadership and considered a Chicano movement, Filipinos played a pivotal role. Filipino labor organizer, Larry Itliong, a cigar-chomping union veteran, organized a group of 1500 Filipinos to strike against the grape growers of Delano, California, beginning a collaboration between Filipinos, Chicanos and other ethnic workers that would go on for years.

La Califfa's husband was killed during the strikes so she takes the side of the strikers. Her conflict with the plant owner Doverdo gradually turns into a love relationship.

In August 2012, mineworkers in one of South Africa’s biggest platinum mines began a wildcat strike for better wages. Six days later the police used live ammunition to brutally suppress the strike, killing 34 and injuring many more. Using the point of view of the Marikana miners, Miners Shot Down follows the strike from day one, showing the courageous but isolated fight waged by a group of low-paid workers against the combined forces of the mining company Lonmin, the ANC government and their allies in the National Union of Mineworkers.

Documentary about the nurses' strike in Finland on autumn 2007.

Covers the 12-week-long strike at Kinleith Pulp and Paper Mill, owned by New Zealand Forest Products in January 1980.

Ichiro’s family used to be a large landowner, but now he is living in poverty with his mother. His mother works hard to get her son through school. Under such circumstances, Ichiro meets Wakako, the daughter of a wealthy man, and they fall in love with each other, but they are opposed by those around them because of their different social status.

After the relatively low box office takings of 'Intolerance', D. W. Griffith would revisit his epic film three years later by releasing two of the film's interlocking stories as standalone features, with some new additional footage. The second of these was 'The Mother and the Law', which demonstrates how crime, moral puritanism, and conflicts between ruthless capitalists and striking workers help ruin the lives of marginal Americans.

After promising 1100 employees that they would protect their jobs, the managers of a factory decide to suddenly close up shop. Laurent takes the lead in a fight against this decision.

Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the mill. Mary catches the attention of handsome scion Paul Scott, but their romance is complicated by Paul's engagement to someone else and a bitter strike among the mill workers.

In 1992 – 500 years after the beginning of Spain's global empire with the discovery of America – Spain proudly presented itself to the international community as a modern, developed, dynamic country through the Olympic Games in Barcelona and the Expo in Seville. But for filmmaker Luis López Carrasco (1981, Murcia), 1992 was also the year in which the regional parliament building in Cartagena was razed during furious protests against the threatened closure of various local industries. El año del descubrimiento revives this almost forgotten history in a typical Spanish bar in Cartagena, where different generations come together to drink, eat, smoke and talk. Stories from witnesses, demonstrators and strikers from back then and discussions among younger café visitors on themes such as class consciousness, the economic crisis and the role of unions percolate to the surface amidst talk of other life issues.

When workers at the Hormel meatpacking plant in Austin, Minnesota are asked to take a substantial pay cut in a highly profitable year, the local labor union decides to go on strike and fight for a wage they believe is fair. But as the work stoppage drags on and the strikers face losing everything, friends become enemies, families are divided and the very future of this typical mid American town is threatened.

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.

Dancing in Dulias was made by members of Lesbians and Gays Support the Miners (LGSM) and Lesbians Against Pit Closures during and immediate after the 1984/85 minders strike. Like the forthcoming movie, Pride, it documents the interactions between lesbians and gay men and the miners and their families in Dulais in South Wales - only this time it's the real thing. As well as some memorable footage that includes the Blaenant Lodge banner leading the 1985 Lesbian and Gay Pride march and LGSM members struggling with bingo at the local community hall, the film documents the wider political impact of this seemingly unlikely alliance. (cont. http://www.cambridgefilmfestival.org.uk/films/2014/dancing-in-dulais#sthash.HScQCj7E.dpuf)

Documentary marking the 30th anniversary of the 1984 miners' strike, one of the bitterest industrial disputes in British history, with stories from both sides of the conflict.

Anna and Joe are newly married, playful and deeply in love. Joe is scraping by as cab driver in New York City during a period of corruption, mob control and violence between cab companies.

Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.

After losing a finger in a work accident, an Italian worker becomes increasingly involved in political and revolutionary groups.