Amílcar Cabral

Cap-Vert, l'archipel créole

A film about the history, culture and occupation of the natives of Capo Verde. The film tells of Iceland's development aid program on the islands and shows a voyage with the research and fishing vessel Feng.

The Other Side of the Atlantic is a documentary that builts a bridge in the ocean that separates Brazil and Africa. The film tackles the cultural exchanges, the imaginary created through the mirroring, the prejudice and dreams built in both sides of the atlantic through the life stories of the students of african countries in transit through Brazil.

In Cape Verde, where the majority of the population is young, children use olive oil cans, bits of sandals, leftover tires and pieces of cardboard to build their own toys. The absence of a consumer society and the challenges posed by insularity have led them to invent their own recreational independence with almost nothing.

Recognized as Cape Verde's oldest performing batucadeira at 86 years old, Marina Vaz revisits her life in Cidade Velha, Cape Verde - from a childhood of scarcity to a deep bond with the sea and batuko music - revealing a portrait of resilience, cultural identity, and female strength.

This film explores aspects of the African Diaspora, history and culture that are not widely known or are normally overlooked in mainstream, popular and scholarly discourse. It tells the compelling story of two African countries(Cape Verde and Sao Tome & Principe) forever linked by a history of poverty and slavery, and two people forever linked by the unbreakable bond of family and love

The untold tragedy and scandal of what happened to a vibrant community of immigrants from the Cape Verde Islands in the Fox Point section of Providence, Rhode Island who were forcibly displaced by urban renewal to make way for fancy coffee shops, antique stores and elegantly restored houses. Poignant, heartfelt and warm, in a timeless snapshot SKFPR captures the essence, spirit and heart of a community whose history was erased before it was written.

"Some Aspects Of Cape Verdean Culture" is a re-discovered and restored documentary shot in 1975 in cape verde at the time of independence by pioneering video artist Anthony D. Ramos. This was some of the earliest video work by ramos, who received a 1975 grant from the Rhode Island Council for the Humanities for travel to Cape Verde and a sony color 1/2" reel to reel video camera . Ramos , a cape verdean american, traveled to the islands of Sao Tiago, Fogo and Sao Vicente , and was the only american camera to capture the historic end of 500 years of Portuguese colonial rule. Over eighty hours of video were shot, and efforts are currently underway to raise funds to restore and transfer the rest of videos in this valuable archive.

This 16mm short film undertakes a journey from slavery to ‘Morabeza’, a multi-faceted word that describes Cape Verde’s gentle spirit. Allow yourself be guided to discover the diversity and beauty of this South African country.

Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

Film adaptation of a novel published in 1960 by Cape Verdean author Manuel Lopes.

Follow the story of one family's contribution to the history that ties Cape Verdean immigrants to the cranberry industry in southern Massachusetts.

Originally titled, "Espirito de Cabo Verde"

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

Praia, Cape Verde. Laura, Flavia and Bela are childhood friends. Each leads her own life and they sometimes meet to dance, dine and have fun. But one day the calm rivers of their lives break their banks and become wild torrents: Ricardo, Flavia's husband, rapes his pupil Indira, Laura's 13-year old eldest daughter. A film that takes a critical look at the lives of women in Cape Verde.

This is the story of a sixty day long walk in Cape Verde. No mobile phone, no watch, no plans for what to do next – only the bare essentials in the backpack. Out traveller explores the mountains, the villages, the sea, a talking tortoise, the goats, the music, the dry haze, the people of Cape Verde and an essential part of himself.

Cape Verde Independence, July 5 and 6 1975

Informe+. Tenerife 1992

Article 66 of the 1952 Polish Constitution guaranteed women equal rights, including work, equal pay, and childcare. Notable women held various roles, and the state supported women before and after childbirth with nurseries and kindergartens. The film, made in the socialist realist style, praised the socialist system and showed historical optimism but also highlighted the burden of balancing work and unpaid housework. Notably, the film was created by women.

Propaganda film promoting the Constitution of the People’s Republic of Poland, effective July 22, 1952, emphasizing Article 62’s guarantee of cultural access and participation. It highlights widespread newspaper and literature circulation, extensive day-care centers and libraries, and open palaces for art appreciation. Realist painting is contrasted with American press and tabloid literature, using jazzy music. Polish publications focus on peace and prosperity, while workers engage in cultural creation through theaters and community groups. The film uses strong contrasts and voiceover, ignoring cultural policy failures.