Men and women in the Horn of Africa and adjiacent regions of the Middle East tell stories of their relationships and contacts with demons and spirits in their life and culture.
"Heart of the Country" is the story of Shinichi Yasutomo, the extraordinary principal of a rural elementary school in Kanayama, central Hokkaido, Northern Japan. Yasutomo is a man driven by his vision for learning and his passion for educating the heart as well as the mind. The film follows Yasutomo, his teachers and staff, students and their families over the course of one entire school year. The film is also the story of the families of Kanayama. Parents and elders of this once impoverished town embrace Yasutomo's vision, but not without wary glances back to the past. This small community, bound together by love for its children, is also defined by its journey through the cultural upheavals of postwar Japan.
Experimental 8mm film.
Le Grand Entretien avec Philippe Descola
Raised in one of the most violent outskirts of Fortaleza, the Cruz brothers had their lives shaped by music to the point that their parents turned the house where they live into a school.
This is the portrait of Cesar, the heir to a tradition of neon lights that ruled in Buenos Aires' marquees and now resists obsolescence.
During the evening, between 15:00 and 17:00 all of Valparaíso's hills appear almost motionless.
With carpenters and fishermen on the coast of Valparaíso, Leonel Vasquez built a boat/sound installation following the almost extinct tradition of the craft wooden boats that still sail these waters. Through on-board wooden speakers, fishermen tell the stories of their livelihoods.
Los Años is a meditation about time, memory and mortality through our representation in images and our lives' rituals. This short highlights our abstract way of understanding time and collective experiences.
A somber journey on the road. A post with three lights. A crowded street. Stashed cables. The city. A grey square. The sun's reflection. The sun. Going back home.
The arrieros hold the lamb's body with their hands. The knife cuts the animal's throat and blood cascades out.
A creative documentary about personal experiences of abuse and of selfhood, of colors and words within the context of our lives.
A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.
Comitiva Esperança
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.
A deep dive into contemporary Brazilian music. Guided by the composer, anthropologist and ethnomusicologist Kilza Setti and the Hésperides Música das Américas nucleus, the documentary takes us to a world where contemporary music, the Guarani and Timbira peoples, the colonization of America and poetic professions meet.
John Bishop and Naomi Bishop present a portrait a peculiar life style of the Himalayan indigenous Sherpa people in their documentary , the Himalayan Herders. The 76 minutes long film is about the diverse culture and life style of herders community near Mt. Everest region of Nepal.The film was made in 1997 as a part of Case Studies in Cultural Anthropology Series.
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
A film about friendship and the occasional loneliness.