Kwaheri

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.

Completely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.

A new age Mondo film that explores the realm of urban decay and various oddities of the modern world, ranging from underground club scenes to sex change operations.

Cult director Sergio Martino, during the most glorious mondo years, delivered Naked and Violent, a documentary which unveils the brutality of the USA. Hidden behind a mask of perfection and justice, Naked and Violent traces the problems of American society in the 70s: from racial persecutions to the depraved sexual habits of the middle class, from the drug market to illegal gambling.

Mondo documentary.

Disturbing shock footage mixtape

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

Video mixtape composed of shock footage.

This documentary looks at strange behaviors and practices in Europe, including nude skiing in Switzerland, hot-butchering in Italy, and an orgy in a graveyard.

A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

Documentary film making at its best as it narrates very exotic and esoteric rituals of the primitive peoples of Africa.

This film is about tribes in Africa and South America who turn toward magic as a means of survival and way of life.

Film about the singing and dancing culture of the Ingush people

The sensational follow-up to "London in the Raw," "Primitive London" sets out to reflect society's decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.

DEATH SCENES II continues the exploration into the dark recesses of violence and rage that ended in such heinous crimes as the Manson Family's assault on society. You'll see the gruesome aftermath of mob reprisals, public executions and international terrorism. DEATH SCENES II uniquely ushers the brave and curious into a spellbinding trip through the reality that is our world today.

The people and their labor are bound to the land in the cycle of activities to the sowing to the harvesting of wheat. Without narration or subtitles, the film conveys a sense of unity between the people and the land. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul. The theme of the film focuses on rural economics. The film and accompaning instructor notes focus on herding, and fishing under diverse environmental conditions. The impact of technological change, human adaptation, and governmental extension of market systems are parallel themes.

An exotic world of eroticism, witchcraft, masochism and strange secret places.

The makers of the world's most controversial video series have done it again. Guaranteed the world's gnarliest hardcore video in existence, these graphic and shocking images might be the sickest ever put to film. You'll see smuggled video of Iraqi executions, firing squads, amputations, suicide bombings, gangland slayings, knife fights, animal maulings, hostage killings, and terror attacks. Witness first hand the scary truth about the world in which we live.

'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.

Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.