Sujatha, a lecturer, stands up against the dowry system when a rich man comes to her house with a marriage proposal. But she doesn't have the support of her family and her actions have serious consequences.
Ramakrishna arrives in Kolkata and takes up residence in Padmavathi's housing colony. While at first he seems happy and easy-going, soon his real reason for returning to Kolkata is revealed. He wants revenge!
Nagaland
Mazha Peyyunnu Maddalam Kottunnu is a 1986 Malayalam comedy film directed by Priyadarshan. Starring Mohanlal, Mukesh, Lizy, Sreenivasan, Jagathi Sreekumar, Maniyanpilla Raju, and Kuthiravattam Pappu in the main roles. This film was a huge hit in theaters and is considered as one of the best comedy films in Malayalam cinema.
Appu is a taxi driver in Mumbai (Bombay). He is still haunted by the suicide of his sister who was sold to a brothel. He is still trying to find out the culprit. Here he meets Sita who is chased by Eunuch Maharani who is also responsible for the death of his sister. Maharani is the madame or kingpin of the flesh trade in Mumbai. Maharani wants the beautiful Sita for the flesh trade. Appu fights and saves Sita from Maharani. Here his friend Vignesh and his lover Kaveri die saving Appu and Sita.
A young man moves to his hometown; here he falls in love with the village head's daughter. The village head learns about this and he has the girl abducted; if the young man tries to rescue her, his parent's life will be at stake.
Siva goes to London to work but ends up joining a gang led by Kathir. When they are deceived after a bank robbery, Siva is forced to hide in an aged couple's house posing as their grandson.
Maya, a labor officer, goes to a factory as part of her work. There she finds that the owner is her previous lover who had ditched her.
Gopi is married to Tulsi, but since they could not have kids, he secretly gets married to another girl. Coincidently, both women get pregnant at the same time, leading to hilarious consequences.
Vaikundam Soorya Narayana Iyer, a normal business executive leads a normal family life along with his wife and his mother. One day, up on climbing a tall tree in order to capture an escaped pet parrot, Iyer undergoes (fear of heights) giving him the power of clairvoyance.
Menon buys land for his five-star hotel and asks his trusted employee, Sreedharan Unnithan, to take its charge. Years later, Unnithan gets Menon imprisoned in a fake case and Kunjumon helps him.
Uppukandam Brothers Back In Action
Alexander, a powerful mafia leader, faces several trials and tribulations while trying to juggle his estranged relationship with his mother who abandoned him, while trying to rule the underworld.
Nasrani takes us to the Kottayam belt, where rich rubber planters and estate owners live. One such rich planter is David John Kottarathil, popularly known as DK. DK spends most of his time at the Cosmo Club, where he is the secretary too. He has his say over all spheres of human activity. He is respected and feared too.
Narayanan, who gets convicted for killing his father, returns from prison to his village and works selflessly for its people. However, his vengeful relatives create obstacles for him.
After witnessing the murder of his father by Eappachan, Kochu flees his village to escape him. Years later, Kochu, now a don, returns to the village to avenge his father.
The Dolphin Bar is a Malayalam drama film directed by Diphan, starring Suresh Gopi and Anoop Menon in the lead role, which is produced by Arun M C and written by Anoop Menon
Malutty Sabu
Unnikrishnan and Ulpalakshan work for Ganapathy Iyer. Ganpathy entrusts Unnikrishnan with the task to find the whereabouts of his daughter, born after he left India, and whom he had never seen.
An honest police officer takes on the mightiest of the crime world. Hrishikesh is an honest and duty-bound police officer. Believing the power of truth and righteousness, Hrishikesh takes on corrupt sources within the system and also the mightiest people in the world of crime and underworld. Will he remain truthful even in the times of adversity?