An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
Constantly changing forms, a plains landscape. One of two films based on David and Diana's life in their house in Colorado, which had just burned down. Preserved by the Academy Film Archive in 2008.
This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
A musical about an unhappy couple and the man that stands between them. Preserved by the Academy Film Archive in 2015.
Based on the classic European fairytale. A young girl is pursued and tricked by a big bad wolf who wants to eat her. Animated by Ray Harryhausen.
Stop-motion puppetry version of the classic fairy tale. Preserved by the Academy Film Archive in 2004.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
A compilation of four Mother Goose stories "photographed in three-dimensional animation" and unified by a prologue and an epilogue with Mother Goose herself magically setting up a projector to show the films. The familiar nursery rhymes are "Little Miss Muffet," "Old Mother Hubbard," "The Queen of Hearts," and "Humpty Dumpty." Preserved by the Academy Film Archive in 2004.
In the years before the Second World War, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children, and brings a new love of life and music into the home.
A symbolic reflection on issues of female sexuality, art and identity constructs.
Why do dogs bark at such innocent creatures as pigeons and squirrels... what are they afraid of? This film answers that eternal question. Preserved by the Academy Film Archive.
Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.
An animated comedy short from the 1920s. Preserved by the Academy Film Archive in 2008.
In a Medieval castle, a marauder tries to kidnap the twin infant sons of the lord. He makes off with only one, whom he drops about a mile away. A pig rescues this baby, so one brother grows up high on the hog, the other down with the swine; one is lazy, his lost brother is industrious. Years later, when a neighboring prince declares war, the brother in the castle is too soft to fight. Through happenstance, the twins are united just before the final battle. Will the upper-class brother let his humble sibling lead the troops to certain defeat and death? Preserved by the Academy Film Archive.
A man visiting a museum sees the works of art come to life.
The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.