Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
On a cork oak farm deep in the village of Aldeia Velha, the warm Portuguese sun beams down on the white walls of a family home. Life is sweet here. Cherish these moments spent together.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
In a loose retelling of the Revolutionary Girl Utena TV series, Utena Tenjou arrives at Ohtori Academy, only to be immediately swept up in a series of duels for the hand of her classmate Anthy Himemiya and the power she supposedly holds. At the same time, Utena reunites with Touga Kiryuu, a friend from her childhood who seems to know the secrets behind the duels. Utena must discover those secrets for herself, before the power that rules Ohtori claims her and her friends, new and old.
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
Del is a song writer for the obnoxious Mr. Mega, and in love with Didi, Mega's secretary. His quest to write a hit tune brings him to the wacky world of Flooby Nooby, where he just might learn to write songs from the heart. Preserved by the Academy Film Archive in 2016.
Mother's lucky day takes a strange turn when a lightning strike leaves her with telekinetic powers. She finds more and more ways to use her new ability, but soon things get a little out of control.
A 1968 animation/documentary that criticises the industrial system. Preserved by the Academy Film Archive.
Why do dogs bark at such innocent creatures as pigeons and squirrels... what are they afraid of? This film answers that eternal question. Preserved by the Academy Film Archive.
A man visiting a museum sees the works of art come to life.
Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.
Two boys go outside at night to capture a bird. Preserved by the Academy Film Archive in 2003.
The hand of God fashions Adam out of the clay of Earth and places him on a small and empty planet. Each of Adam's actions - at first he can't stand up, then he barks like a dog, then he sleeps - requires God's intervention. After Adam discovers how small the planet is, how little there is to do, and God's unwillingness to let him leave the Earth, he is depressed, lonely and disconsolate. So God asks Adam's patience for a few minutes while He fashions a companion for Adam. Adam is delighted: he dons a bow tie, uses mouthwash, and finds a bouquet of flowers. Is God thinking what Adam is thinking? Preserved by the Academy Film Archive.
A reinterpretation of the Greek legend of Penelope, ”the most faithful of wives”, who waited 20 years for her husband Odysseus to return from The Trojan War. In this animation, the two of them are presented in a more modern setting. While Odysseus is busy exploring the universe in his space rocket, Penelope is stuck at home, taking care of the children, showing how traditional gender roles say men should work, while women stay at home.
Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat. Preserved by the Academy Film Archive in 2006.
After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth? Preserved by the Academy Film Archive in 2012.
A village is ruled by the church, but is filled with hypocritical sinners who constantly spy on each other. Preserved by the Academy Film Archive in 2008.
Two little girls muse on marriage and babies, love and death as they create and act out plays in their backyard. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2006.