An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.
François Mitterrand et la guerre d'Algérie
Moudjahidate
The autobiographical account of the tormented life of a witness of the century: Louisa Ighilahriz, activist and leading figure in Algerian independence. A student, she joined the independence struggle at the age of 20, joining the ranks of the FLN on the eve of the Battle of Algiers in late 1956 under the name Lila. She took part in the high school students' strike, then fled into the maquis when she was actively sought after. She was part of the French FLN support network of "suitcase carriers" during the Battle of Algiers. Seriously wounded alongside her network leader, Saïd Bakel, during an ambush in 1957, hospitalized and then imprisoned, she suffered numerous tortures in French prisons. She will be saved from certain death by an anonymous person, she will seek, for forty years, to find him just to show him her gratitude... Emblematic of the painful Franco-Algerian history, Louisa's story is poignant and imbued with humanism.
The exceptional portrait of a pacifist general, the only senior officer to have spoken out against torture. This precious testimony still remains censored in France, since no national channel has to date decided to program this documentary. Son and brother of a soldier, General Pâris de Bollardière was destined for a career in arms. He was, for many years, one of the most brilliant representatives of this adventurer career in France, from Narvik to the Algerian War. After fighting in the French maquis, he reached Indochina, where he suddenly found himself in the aggressor's camps. His beliefs are strongly shaken. But it is in Algeria, where the French army practices torture and summary executions, that he takes the big turn. He expresses his contempt to Massu, and is relieved of his command. Until his death in 1986, Jacques de Bollardière fought for world peace, from the Larzac plateaus to the Mururoa atolls.
An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.
August 29, 1979, Talavera Bruce Penal Institute, Bangu, Rio de Janeiro. After serving eight years in prison, Inês Etienne Romeu, the only survivor of the "House of Death" in Petrópolis and the first political prisoner sentenced to life in prison in Brazil, left prison benefiting from Amnesty. Norma Bengell filmed this moment: from the prison door to her home with her family, Inês was welcomed by family, friends and members of the Brazilian Amnesty Committee, in what marked the first act of the historic denunciation that Inês would carry out against her tormentors and the Military Regime.
Between 1979 and 1987, a far-left group wreaked havoc across France. Robberies, bombings, assassinations. They struck hard and disappeared in a cloud of explosives, leaflets scattered in the wind, and relentless ideological demands. Their name? Action Directe. More than 80 attacks, 26 wounded, and 12 dead in less than ten years. Stunned French citizens discovered posters plastered everywhere showing portraits of these young women and men who looked like everyone else and whom nothing seemed to be able to stop. A long and intense manhunt began, culminating in the arrest of the group's leadership.
An Italian cruise ship carrying passengers from all over the world is hijacked off the coast of Egypt by a Palestinian commando unit. It is the beginning of a three-day ordeal in 1985 that culminates in the murder of an American hostage and an armed clash between two NATO allies to capture his killers.
Au coeur des services secrets de l'Etat islamique
The film, shot in 1938, is part of a series entitled “The true face of Algeria”. The film highlights the proximity of Algiers to Paris and promotes air travel. The commentary supporting the images highlights the urban dynamism (“Every day, a new skyscraper replaces a wasteland”) and the comparison with Paris (“Algiers is often nicknamed the Paris of North Africa because of its elegance become proverbial). Contemporary architectural achievements are described as the sign of “grandiose modernism”: “we love the new, the bold”. But the point does not forget the buildings illustrating “the Moorish, classic and attractive style”. The description of the Casbah also attempts to understand the architectural organization but also the diversity and even the atmosphere.
A benefit concert and telethon organized by George Clooney and broadcast uninterrupted and commercial-free by the four major television networks just 10 days after the September 11, 2001 attacks on the World Trade Center and The Pentagon to raise money for the victims and their families,
El abogado
In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?
The film examines the death of the anarchist Giuseppe Pinelli, who fell from the fourth floor of the police headquarters in Milan December 15, 1969, after being stopped following the Piazza Fontana bombing.
Over the course of two years, filmmaker Jamie Roberts meets those spreading extremist Islamic fundamentalism in Britain, including a bouncy castle salesman who is now one of the world's most wanted men.
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.
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