In the Basement

Playboy's Playmate Rachel Harris (Miss November 2015) runs an art gallery, using other Playmates Cassandra Dawn (Miss June 2018), Dominique Jane (Miss August 2015), and Shauna Sexton (Miss May 2018) as her models.

A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.

Johanna Dohnal, whose political career spans three decades, was one of the very first explicitly feminist politicians in Europe. As a member of the Austrian socialist government and the first Austrian minister for Women’s Affairs from 1990 to 1994, Dohnal was responsible for founding Austria’s first women’s refuge as well as criminalizing of marital rape. Yet her legacy remains yet to be discovered and re-examined. DIE DOHNAL makes a first step, and it makes Dohnal come alive.

A feature length and enjoyable railway, motoring and walking travelogue of this fabulous region of Austria. Hosted by UK filmmakers Debra and David Rixon . Featuring Innsbruck, Mayrhofen, Kitzbuhel, Alpenrallye classic cars, the High Alpine Road and the Austrian narrow gauge railways of the Zillertal and Achensee. Debra meets a Count in his castle. A first class travel guide!

By combining actual footage with reenactments, this film offers both a documentary and fictional account of the life of Adolf Hitler, from his childhood in Vienna, through the rise of the Third Reich, to his final act of suicide in the waning days of WWII. The film also provides considerable, and often shocking, detail of the atrocities enacted by the Nazi regime under Hitler's command.

For a book project, photographer Timothy Greenfield-Sanders took photographs of 30 stars of adult movies, each pair of photographs in the same pose, clothed and nude. This film records the photo shoots and includes interviews with the performers and commentary from eight writers (and John Waters). The actors and writers discuss economics, nudity and exhibitionism, careers, and private lives.

An international tech entrepreneur with a fondness for architecture asks Rem Koolhaas to build a house on an impossibly small piece of mountainside in Zell am See in Austria. The architect of the celebrated book S,M,L,XL seizes the challenge: how to draw light into a house less than four metres wide that is mostly underground? Photographer and filmmaker Frans Parthesius followed the building process and offers insight into Koolhaas’s way of working and the special relationship with his client.

A collection of nude and/or topless scenes from various films featuring actresses who were either famous at the time or who became famous later on.

According to his own statement, Meyer destroyed the last copy of this short film himself.

A staged TV portrait of the Austrian cartoonist Gerhard Haderer; and first collaboration with Maria Hofstätter.

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics.

Newsreel coverage of the Anschluß in 1938 and it's associated global reaction.

A film about news, life and death. Before the media became so prevalent, we were concerned about our immediate neighborhood. At the end of the day, news was the subject of our conversations, but now it's possible to converse with someone at the other end of the globe. We do it all the time. It's simple. The world has become one big neighborhood. Now Headline News has replaced the back fence. That's the news service of the eigthies. It's a new idea and a new approach.

This documentary visits cities and towns and captures stunning landscapes along Europe's majestic Danube at Christmastime. Locations covered include Passau, Germany; Salzburg, Oberndorf, the Wachau Valley, and Vienna in Austria; Bratislava, Slovakia; and Budapest, Hungary. Along the way the viewer learns relevant history.

Ignaz Wuzel and Gerhard Jeschko are regulars at the espresso in the Südtiroler Platz underground station. Warden Leopold Prinz knows the problems of the children from Karlsplatz. In 1993, Elizabeth T. Spira filmed people on the Vienna subway network. Above all, it is the desperate, the lost and the forgotten who find refuge and a home in and around the subway.

Wolves divide and fascinate us. 150 years after they were driven to extinction in Central Europe, they are returning slowly but inexorably. Are they dangerous to humans? Is it possible to coexist? Using Switzerland as a point of departure, where wolves have returned in the very recent past, this documentary sheds light on the wolf situation in Austria, eastern Germany, Poland, Bulgaria, and even Minnesota, where freely roaming packs of wolves are more common sight.

A cutting-edge journey into the taboo world of male stripping. Dive into the lives of men who work at America’s only all nude, all male, a gay strip club located in the heart of The Bible Belt.

There is a small town in Austria called Pinkafeld, which gained adverse publicity as a “Nazi village” during the presidential election of 2017, when a majority of its citizens voted for their famous neighbour, the right wing candidate Norbert Hofer. What do people really think in regard to their homeland, refugees and populism? The community shows a society in transition, a microcosm reflecting Europe’s zeitgeist.

Taking the demise of a textile factory in Austria’s Waldviertel region as its starting point, with the antiquated manufacturing plant initially shown in full operation, this film poses the question of what work means for people’s self-image and character. After the factory goes bankrupt and closes, the filmmaker accompanies some of its employees as they continue to make their way, questioning them about their daily routines, the circumstances in which they live, about looking for work or the new jobs they find. One woman’s situation is precarious, but that doesn’t prevent her from bringing up her grandchildren. Another woman works here and there, flexible and resourceful. One man blossoms visibly in his newly unemployed state. Bit by bit, different aspects of their private lives and personal misfortunes emerge.