A snapshot of the state of animated filmmaking 100 years ago. Includes several 1922 films: Walt Disney's "The Four Musicians of Bremen," Dave Fleischer's "Birthday," Otto Messmer's "Felix Makes Good," Paul Terry's "The Farmer and His Cat," Earl Hund's "Fresh Fish," Dave Fleischer's "Mechanical Doll," Otto Messmer's "Felix Fifty-Fifty," and Paul Terry's "Henry's Busted Romance".
Bust 100, I cup, from Ishikawa Prefecture, Aoi Fujino, a raging "Kaga Hyakumangoku Bust". Not only does she have big breasts, but she also has a supple waist with genuinely nice proportions. She is energetically active in a slightly smaller swimsuit!! Please enjoy it to the fullest!!
February 5, 1993, in front of a standing room-only-crowd at Seattle's Moore Theatre, impresario Jim Rose performs his own odd tricks - putting a screwdriver up his nose, pounding a nail into his head, and pushing his face into broken glass. He also introduces and provides a running commentary on four other sideshow performers: Mr. Lifto, who can lift and swing heavy objects from various body piercings, the Torture King, who turns himself into a human pincushion, the Enigma, who swallows worms, crickets, and swords, and Matt "The Tube" Crowley, who ingests various things into his nose, mouth, and stomach and bring them back out. The crowd goes wild.
France, 1974. The erotic film Emmanuelle, directed by Just Jaeckin, breaks all records for cinema attendance: the story of the creation of a sensual epic that marked a turning point in the struggle for sexual emancipation.
An installation presented on 11 screens featuring nude human figures engaged in cathartic performance.
Playboy's Playmate Rachel Harris (Miss November 2015) runs an art gallery, using other Playmates Cassandra Dawn (Miss June 2018), Dominique Jane (Miss August 2015), and Shauna Sexton (Miss May 2018) as her models.
This documentary highlights the achievements of India in the political, economic, and international fields since she attained Independence. The framing of her Constitution, the integration of the States and the general elections, the rehabilitation of displaced persons, the river valley projects, and the setting up of a chain of National Laboratories are some of the achievements shown here.
Completely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.
In this provocative movie, Playboy shows you and your partner 101 ways to achieve heightened levels of sensuality and discover the ultimate in lovemaking pleasure. Through a deep exploration of sensory experiences, attractive couples demonstrate a series of creative ways to enhance your erogenous zones. By mastering these tantalizing techniques, you’ll add a new dimension to your shared sensual experiences that will excite you and your lover for a lifetime.
A documentary about the hearings of President Nixon's Commission on Obscenity, featuring adult-film producer David F. Friedman (one of the producers of this film) testifying before Congress, and involved in the production of one of his films, "Trader Hornee."
Slaves of Sin
A filmed burlesque show, staged at the El Rey Theater in Oakland, CA.
As a architectural expert discusses how design and function is of the essence in his craft Russ sees in his mind a a woman getting fitted for a bra using all the same design factors as building a skyscraper.
According to his own statement, Meyer destroyed the last copy of this short film himself.
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
Hunks in Hedonism
(Pseudo) documentary film about sexual life in the late sixties and early seventies, from the series of Oswalt Kolle's sex education films that caused scandals in the late sixties and early seventies.
WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!
For a book project, photographer Timothy Greenfield-Sanders took photographs of 30 stars of adult movies, each pair of photographs in the same pose, clothed and nude. This film records the photo shoots and includes interviews with the performers and commentary from eight writers (and John Waters). The actors and writers discuss economics, nudity and exhibitionism, careers, and private lives.
This is a two-hour in-depth exploration into the Hollywood musicals of the 1940s.