Three in One

The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.

In the heat of a summer day, Draginja discovers a dead body that resembles her. In the heat of a summer day, Draginja hires a fake husband to show off in front of her friends. In the cold of a winter night, Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, a middle-aged woman tries to get out of her skin.

Obsession

A four-part anthology set in Liverpool

In these sexy, fun and darkly entertaining boys shorts, we see the hilarious terrors of gay childhood, an Internet hook-up with unexpected motivation and what happens when you hate musicals. You might wonder if theres hope for a gay Lothario, and sometimes you'll see that when you go home, the end is just the beginning.

An anthology film created under one theme by 3 directors who are creating their own colors in contemporary Mongolian cinema.

Soul of Silence is an anthology that represent three stories of labour families and individuals from Assam. These below poverty line people also have different frequencies of emotions and conflicts. This film tries to draw them on screen

Sergio and Karen were a happy couple for a long time, shortly after his breakup he invites her ex-girlfriend to a date at her house, an encounter that turns dark and terrifying for Karen.

Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. This third installment continues the If You Were Me tradition. Directors Jeong Yun Cheol (Marathon), Kim Hyeon Pil (Wonderful Day), Lee Mi Yeon (L'Abri), Noh Dong Seok (Boys of Tomorrow), Hong Gi Seon (The Road Taken), and Kim Gok and Kim Sun (Capitalist Manifesto: Working Men of All Countries) participated in If You Were Me 3, creating shorts on human rights issues of their choosing, ranging from labor conditions to gay rights to discrimination.

Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.

Vítejte v Česku

Different people and five different families are acting out various scenarios, scripts and what-ifs. First there is the four Suzuki family members, who are not, sitting around a table in isolation. Then there is the unveiling of a will and what happens when it is read out, there are the sisters who are at it against each other, then there is the funeral that does not go according to plan and more.

Chronicling the life of Lay'n Pipe, a 47 foot TopGun Cigarette speedboat, from its conception through the end of human civilization. It's not just a speedboat ride, it's a Miami adventure.

Four tales, each centered on a woman, journey inward to explore the enigmatic reality of their lives, connecting through a single narrative thread.

A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.

An anthology of 7 Mexican short films, all created by 5 up-and-coming independent filmmakers, with a common thread: to explore themes of human relationships. In order, A Hand Beneath the Snow (Una mano bajo la nieve), Friendship (Amistad), The View from Up Above (La vista desde arriba), The Short Film (El cortometraje), Silvestre (Silvestre), Cocktails For Two (Cóctel para dos) and When I Hear You Sing, I Forget (Cuando te escucho cantar, olvido).

A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.

What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.

Three tales of the line between love and hate, based on short stories by renowned writers: a determined man swears off women, a cunning wife plots to win back her cheating spouse, and a scorned individual succumbs to frightful revenge.

A filmmaker is invited to an actor's house, who is keenly interested in his story. For the story to be told, the characters need to speak for themselves so they began speaking and they said