An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.
Efrain, known as the Reaper, has worked at a slaughterhouse for 25 years. We will discover his deep relationship with death and his struggle to live.
After working for three years in the USA, Filiberto returns to his home town in Mexico. A proud man, he is searching for the recognition that will give him a new position in life. However, he finds that things have changed. His mother is dead, and Luis, his best friend, is married to his ex-girlfriend. Filiberto gets involved in the town’s disputes over a water spring.
After the death of a patriarch, a family must try to continue on with a disturbing, ritualistic tradition.
In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.
A train enters a soap factory. Inside it, hidden travellers, immigrants. One of them gets out of the train. In the factory she finds relief, help, solidarity.
A wife walks out on her husband. While he waits for her to return, the husband watches television, drives aimlessly around the city and writes letters to her. He meets her at a bar and gives her the letters in the hope that she will read them and come back to him. After a few days the wife returns. The man goes back to the bar and finds that his wife had left the letters there.
Leon has a crush on Ofelia, so he decides to steal money from his father and cross the country looking for Ofelia who traveled to Guadalajara. On his journey, Leon goes through many adventures and takes the final step from childhood into adolescence.
Mariana has an obsessive cleaning habit. After starting a troubled relationship with Enrique. She must accept that sex is dirty and impulsive.
A family on the brink of a break up: dad is about to throw out mom because of her gambling addiction, the oldest boy's girlfriend is about to leave him because of his epilepsy and the youngest child thinks he has the perfect plan to bring the family back together again.
Tales from the Inside Women inmates of Puente Grande Federal Prison in the state of Jalisco give testimonies of their lives and convey the emotional experience of their confinement. Speaking from their own experience, they reflect upon the human condition, survival, and the concept of freedom.
Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.
The minute Lucia hears the news that her ex-boyfriend Felipe was admitted to a hospital, she rushed herself to meet him. As Felipe was found to be in a critical condition, Lucia makes up her mind to nurse him, but soon realizes the unresolved feelings she had for him.
Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.
Helena, a woman in her early 40's, is obsessed with getting pregnant. After failing her last try, her neighbors get back from the hospital with their new born baby. Helena breaks in to their house when they´re gone, steals the baby monitor and starts listening to what happens next door.
Lina wants to become an animal and is willing to try it. Eduardo wants to tame her but can't. Primal Force explores the limits of a couple unable to engage.
After getting bitten by a rabid dog, Clara must stay locked in the small cabin where she lives with her mother and husband for 40 days. While the town is assaulted by a pack of savage dogs, Clara's seclusion causes a growing desire for freedom. To escape, she will have to overcome her family's fear and determination to protect her.
Dishevelled private eye Nico Beamonte's latest case comes from God himself ... possibly. He wants Nico to find the mysterious Black Panther. But who, or what, is the Black Panther? And what has this got to do with a cryogenically frozen Mariachi singer and a 1950s flying saucer? Surrealism, Mexican-style - as if film noir had collided with props left over from a Ray Harryhausen film.
The attack on a popular singer known as Pachito -who becomes the favorite candidate to win the presidential election in an imaginary Latin American country- is the starting point of several stories, including: the alleged murderer, a police officer investigating the disappearance of the murdered body and an architect hired to design the mausoleum to the memory of the possible dictator.
We follow the filmmaker's struggle to reconstruct a period of her life when she lost her memory.