Chip Off the Old Block

In 1927 Hollywood, a silent film star falls for a chorus girl just as he and his paranoid screen partner struggle to make the difficult transition to talking pictures.

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.

When the Muppets graduate from Danhurst College, they take their song-filled senior revue to New York City, only to learn that it isn't easy to find a producer who's willing to back a show starring a frog and a pig. Of course, Kermit the Frog and Miss Piggy won't take no for an answer, launching a search for someone to take them to Broadway.

A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.

Liza Minnelli in concert at the London Palladium.

After young playwright, David Shayne obtains funding for his play from gangster Nick Valenti, Nick's girlfriend Olive miraculously lands the role of a psychiatrist—but not only is she a bimbo who could never pass for a psychiatrist—she's a dreadful actress. David puts up with the leading man who is a compulsive eater, the grand dame who wants her part jazzed up, and Olive's interfering hitman/bodyguard—but, eventually he must decide whether art or life is more important.

Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

It's five years later and Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenger yet - making it as a dancer on the Broadway stage.

In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.

The stage musical Peter Pan starring Cathy Rigby has toured the world to great acclaim. An adaptation of the famous 1954 musical directed by Jerome Robbins and starring Mary Martin, this new version is lasting proof that J.M. Barrie's tale of the boy who would never grow up is one of the kingpins of family entertainment. All the elements are in good form for this video production shot at the Mirada Theater in 2000 for the A&E Network. Some new songs have been added to the fabulous Moose Charlap-Carolyn Leigh score (which includes "Tender Shepherd," "I Gotta Crow," "I'm Flying," and "I Won't Grow Up"). But the biggest asset to this production are the spectacular flying sequences: Peter even soars over the audience at times. Martin was a stronger actress in a close-up, but Rigby is magical with her athleticism and spark, most notably in a percussion-filled song and dance number "Ugh-a-Wug.".

The Marx Brothers help young Broadway hopefuls when they get mixed up with gangsters due to a tin of sardines containing Romanoff diamonds.

Broadway director Julian Marsh needs just one more hit show so he can retire and recover his health. It looks like he just may pull it off until temperamental star Dorthy Brock breaks her ankle on the eve of the show's premiere and has to be replaced by her understudy Peggy.

Maverick Navy Lieutenant Commander Tom Dodge will never be a textbook officer, but he's a brilliant seaman who's always wanted to command a nuclear submarine — he's been given one last chance to clean up his record. Unfortunately, Admiral Graham, his nemesis, would rather sink the fleet than give Dodge his own boat. So, Graham stacks the deck against him and assigns Dodge to the Stingray, a diesel-powered WW2 submarine that can barely keep afloat. To make matters worse, Dodge's crew is a collection of maladjusted, mistake-prone misfits. Then, he's tagged the "enemy" in a crucial war game, and ordered to take on the U.S. Navy's best.

A profile of composing team John Kander and Fred Ebb, who have written many Broadway musicals. Highlights include interviews with Lauren Bacall, Joel Grey and others, as well as the two men themselves, plus clips of performances of their songs.

Biographical portrait of one of Broadway's most brilliant songwriters. Told through the use of archival material and interviews with the rich and famous that knew him, this portrait concentrates on his career and his public life events.

Sutton Foster takes over City Center—filling it with her indomitable spirit for a concert with her friends that celebrates their connections to the historic theater and reflects on the challenges facing all of us. Bring Me to Light reunites Foster with fellow Encores! cast members Raúl Esparza and Joaquina Kalukango, City Center alum Kelli O’Hara, and Wren Rivera—Foster’s student at Ball University. Together, they enliven City Center with the hope of what lies ahead through performances of music theater favorites from Anyone Can Whistle, Camelot, Oklahoma!, South Pacific, Violet, The Wild Party, and more. Accompanied by Music Director Michael Rafter (piano) and Matt Hinkley (guitar), Bring Me to Light is directed by Leigh Silverman, with Jeanine Tesori serving as Creative Producer.

A Broadway artiste turns a faded film star's comeback vehicle into an artsy flop.

Two delusional geriatrics reveal curious pasts, share a love of tuna and welcome a surprise guest in this filming of the popular Broadway comedy show.

Adam Jacobs was the original "Aladdin" in Disney's smash Broadway musical, with a list of other hits like Les Miserables and Something Rotten, but this docu-concert – filmed as a special one-night-only performance – explores his emotional personal journey, from growing up as a Filipino American in California to landing the role of a lifetime.

A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.