Berlioz: Les Troyens

First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a few short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Daily Telegraph of London as being ‘as close to the perfect dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the whole theatre is under a fantastic spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’

Besides the landing on the moon by the Apollo 11 mission in 1969, Richard Nixon’s meeting with China’s leader Mao Zedong in February 1972 then represented one of the biggest media spectacles in history. Nixon himself established the reference between the two events: “We came in peace for all mankind” not only marked the lunar module Eagle’s landing spot – Nixon also spoke of it into the microphones just before his departure to China. It was not John Adam’s aim to create a superficial or even a caricaturing representation of Nixon’s visit when composing his opera. He attempted to create a “heroic opera” about the construction of modern myths by using archetypical characters and situations. Director Marco Štorman stages Adams’ minimal music opera as a deconstruction review about the power of images, the politics of staging and the staging of politics.

Christian Thielemann conducts the Staatskapelle Dresden in this performance of Wagner's opera recorded live in 2013. The performance was held for the Salzburg Easter Festival and featured vocalists including Johan Botha, Michaela Schuster, Stephen Milling and Wolfgang Koch.

Christian Thielemann conducts this Staatskapelle Dresden production of Richard Strauss' chamber opera. The opera follows events at the home of the wealthiest man in Vienna, who has booked both a comedy burlesque act and a serious opera group for entertainment. When the dinner runs long he declares that both forms of entertainment must take place at the same time - much to the chagrin of the opera's proud young composer. Filmed live in Baden-Baden on Feb. 25 by the veteran director Brian Large, Renée Fleming makes her debut in the role of Ariadne together with fellow key Strauss interpreters Sophie Koch and Christian Thielemann, following on from their Rosenkavalier triumph. Thielemann conducts the Staatskapelle Dresden, the orchestra to whom Strauss dedicated his Alpine Symphony and which premiered Feuersnot, Salome, Elektra, Der Rosenkavalier and Daphne.

The Bayreuth Festival mounted this 2009 production of Richard Wagner's 1865 opera Tristan und Isolde, with Michael Beyer directing. It stars Robert Dean Smith as Tristan, Iréne Theorin as Isolde, Michelle Breedt as Brangäne and Robert Holl as King Marke. The Bayreuth Festival Orchestra and Chorus lend musical accompaniment, under the baton of Peter Schneider, while Anna Viebrock designed the costumes and the sets; Cristoph Marthaler produced. The production at hand opened the 2009 Bayreuth Festival.

This staging of Harrison Birtwistle's opera The Minotaur features John Tomlinson, Johann Reuter, Christine Rice, and Andrew Watts in the main roles. Stephen Langridge directed the production for the stage, and Antonio Pappano conducted the orchestra.

This performance of the Richard Wagner opera Logengrin was filmed in high definition for the Bayreuth Festival in 2011, and features vocalists like Georg Zeppenfeld, Klaus Florian Vogt, and Anette Dasch in the leading roles.

This performance of the Richard Strauss opera Frau ohne Schatten, recorded live and in high definition, features vocalists like Stephen Gould, Anne Schwanewilms, Michaela Schuster, and Wolfgang Koch in the leading roles.

Wagner's erotic opera in a production by the German Opera of Berlin under the direction of Gotz Friedrich, with music conducted by Jiri Kout. Recorded at the Deutsche Oper Berlin.

The Bayreuth Festival Opera House mounted this production of Richard Wagner's 1865 opera Tristan und Isolde as part of the Bayreuther Festspiele. Staged by Heiner Müller, it stars Siegfried Jerusalem, Waltraud Meier, Poul Elming and Uta Priew, and features musical accompaniment by The Orchestra and Chorus of the Bayreuther Festspiele.

Claudio Monteverdi's operatic adaptation of this story from Homer's The Odyssey receives a modern and distinctive staging in this 2002 production directed by Humphrey Burton for Les Arts Florissants. Penelope Marijana Mijanovic is left to her own devices when her husband, the heroic Ulysses Kresimir Spicer, goes off to fight in the Trojan Wars. After many years alone, Penelope finds herself attracting a number of suitors who wish to claim her hand; however, what she doesn't realize is that jealous Ulysses has his ways of keeping an eye on her. Production of the Festival d'Aix-en-Provence; from the Theatre du Jeu de Paume.

The three main soloists have voices on a scale that can compete with these flashy production values – White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism. Cambreling marshals his forces effectively, giving full rein to the work's showstoppers like the "Hungarian March" but not neglecting the subtler less kinetic Gluckian side of Berlioz's vocal writing. Recorded live at the Salzburger Festspiele, 1999.

Puccini's Il Tabarro & Leoncavallo's Pagliacci; Pavarotti and Domingo star in MET 1994-1995 season opener.

Claude Debussy's fairy tale-based opera Pelléas et Mélisande is by now well known; at once a tale of doomed love and a meditation on the cycle of creation and destruction (adapted from Maurice Maeterlinck's 1893 symbolist play), it originally premiered in 1902 to mixed critical reception, but has since become a staple of the operatic repertory and one of the most popular works from Debussy's canon. This particular production emerged from the Opernhaus Zürich in 2004. It stars Rodney Gilfry as Pelléas, Isabel Rey as Mélisande and Michael Volle as Golaud. Franz Welser-Möst conducts the Zurich Opera Orchestra; Sven-Eric Bectholf directs for the stage.

Richard Wagner's operatic retelling of the story of the search for the Holy Grail receives a lavish production in this video, which records performances held in Bayreuth, St. Petersburg, and Ravello, Italy. Internationally renowned tenor Placido Domingo leads the distinguished cast; Tony Palmer directs.

Oroveso, a Druid High Priest, gathers his people in a sacred forest and prays to their gods for help in vanquishing the Romans who have taken over Gaul. Unbeknownst to Oroveso, his daughter, Norma, a High Priestess, has for some time been the lover of Pollione, the leader of the Romans; she has, in fact, not only broken her sacred vow of chastity but has borne two children to the warrior. Norma uses her position to dissuade the Gauls from attacking the Romans, claiming that the gods have told her that the time is not favourable. Recorded at Théâtre Antique d'Orange, 1974

This performance of Richard Strauss' opera Der Rosenkavalier (1979) features the vocal talents of Gwyneth Jones in the lead role; recorded at the National Theatre Munich.

In June 2015, superstar tenor Jonas Kaufmann walked onto the stage of La Scala in Milan to perform a concert of Puccini arias. The concert made national news in Italy with the audience demanding five encores and a forty minute standing ovation. The film of this legendary performance, Jonas Kaufmann An Evening with Puccini, will be shown nationwide in over 300 movie theaters on February 23, and is available as a DVD and Blu-ray. Directed by Brian Large, the film includes an introduction about Puccini the man, the musician, the superstar narrated by Jonas and featuring rare archive footage. The program features a selection of Puccini s world-famous tenor arias all of which appear on Kaufmann s latest recording, Nessun dorma The Puccini Album.

It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.

Is this a film about Scrooge? About a composer’s life? An opera within an opera? The Passion of Scrooge blurs these lines between performance, documentary, and fiction, into a cinematic concert experience that’s seasoned with magical reality. Composer Jon Deak has adapted Charles Dickens’ timeless tale into a contemporary opera that melts the heart, but doesn’t avoid the darkness in Scrooge that’s still resonant with the material concerns of our time. Using neither period costumes, nor set pieces to reconstruct old England, the film invites you to experience A Christmas Carol with the imaginative possibilities of a radio play. And then, to meet those visions in your head, filmmaker H. Paul Moon‘s floating camera intimately captures musicians performing the score as characters themselves, in this ageless haunted redemption story about “us, every one.”