Satan's Sword

The mother of a feudal lord's only heir is kidnapped away from her husband by the lord. The husband and his samurai father must decide whether to accept the unjust decision, or risk death to get her back.

The war between the Heike clan and the Genji clan continues. This time, Nozomi has to fight a powerful supernatural enemy and make a choice: protect her friends and stay by Kurou's side, or choose her first love, Masaomi, which is the leader of the Heike, and her enemy.

The story mainly revolves on Nakoruru and her humanistic ideals: she believes that anyone with a heart has the right to live peacefully. Shiki, though apparently free from Yuga's influence, is recognized as a threat for the sorceress' return and it was through Nakoruru's reasoning that previously saved her life from Haohmaru. Nakoruru finds her and then struggles to peacefully defend her from her pursuers, which include Haohmaru, Galford, and Asura.

Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

A warrior-in-training and his bumbling friends go in pursuit of a stolen sword.

Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

1732, in the era of Yoshimune Tokugawa. West Japan suffers from a severe famine. Three years after wards, it appeared as though calm had been restored to the domain, but there is word that Jyuzo Matsumiya, the sword fighting instructor sent by the shogunate, is taking some suspicious actions.

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

In feudal Japan, blind Swordsman Zatoichi comes to the aid of a noblewoman carrying a secret treasure, and must fight cyborg ninjas and a powerful and mysterious Samurai.

Izo is an assassin in the service of a Tosa lord and Imperial supporter. After killing dozens of the Shogun's men, Izo is captured and crucified. Instead of being extinguished, his rage propels him through the space-time continuum to present-day Tokyo. Here Izo transforms himself into a new, improved killing machine.

Desperate to leave their humble origins behind, farmhands Tatsunori (Yuma Ishigaki), Ken (Suzunosuke) and Yonesuke (Ohkuchi Kengo) assume the identities of Samurai warriors in order to help protect a village from the daily raids of local bandits. But the three soon find themselves out on a limb when real Samurai Jojima (Ichinose Hidekazu) returns from the war and confronts them.

When a young man finds himself alone in a club after hours, he pretends he's in a martial arts movie only to be interrupted by his crush, leaving him embarrassed. But has the power of his imagination brought something dark to life?

A group of ruthless gangsters, an unknown woman and an escaped convict have met, in The Forest of Resurrection, the 444th portal to the other side. Their troubles start when those once killed and buried in the forest come back from the dead.

Izo, a Ronin, and Raiden, an orc, work to bring a young elf girl and the wand she carries to the land of the elves in the north.

The story of Japan’s greatest warrior, Miyamoto Musashi, after his historic duel with Sasaki Kojiro on Ganryu Island.

Edo, 1703. Young Sugino, one of the 47 rōnin seeking revenge against lord Kira, who caused that his master, Asano of Ako, committed seppuku, meets a skillful spear fighter, Genban, who trains him to fight with honor on the day of retribution.

In Edo period Japan, a lone ronin spends time in a village helping the farmers tend to their land. To keep his sword skills sharp, he spars daily with a farmer's son. Meanwhile, the nation is in the midst of major unrest with civil war on the horizon. One day, a group of outlaw ronin enters the village.

Set at the end of the Siege of Osaka this film follows the exploits of several members of the defeated Toyotomi clan as they cope with the post battle chaos and the persecution of the Shogun's army. Five samurai decide on different fates when it becomes clear that their side is being destroyed. One wants to attack the enemy head on in a final honorable death. Another decides to commit hari-kiri but wants to find a glorious view to do it. His close friend, the "coward", just wants to run and give up the life of a samurai. The final two set their own castle on fire to garner favors from the enemy and therefore avert their own death during the massacre of all defeated soldiers as

In feudal Japan, women are vulnerable, in need of protection, and capable of deception. Jokichi of Mikogami, a drifter, has not yet fully revenged the death of his wife and son. He searches for Kunisada Chuji, who in turn has hired the knife-throwing Windmill Kobunji to kill him. Kobunji and Jokichi meet in the winter, near Sasago Pass, when both have rescued women: Jokichi has saved the lute-playing Oyae whose clan and whose lover want her dead; Kobunji has rescued Oharu, a well-born woman married to an innkeeper. Is this rescue a whim or something deeper? And why does Jokichi become the consumptive Kobunji's protector? What ultimately will Jokichi do about Oyae?