Tokai (street cleaner)

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)

Pop Warner shows 1890s football equipment and explains to his modern 1931 team how the game was played.

Mutar, who fought in the war, is back in Guinea. In his luggage, he brings strange objects. Fatu, his daughter, takes the opportunity of Mutar's absence to open his bag. Shortly afterwards, Fatu's boyfriend Idrissa finds Mutar with his hand soiled in blood and Fatu dead. It is then that Idrissa picks up a drum.

Based on two poems by Rafael Alberti, Garabatos (“Scribbles”) is a reflection on childhood, education and the demise of innocence. Music by Pierre Henry, Pierre Schaeffer and Edgard Varèse.

Mandaue Landfill, The Philippines: the 50 families who call this home are the bottom of their society; the lowest of the low. But material wealth is not the only kind of riches, and where there is hope and resourcefulness there is always the chance of a better life.

Commemorates the centennial of American movies with a montage of clips and music scores from the most important movies of the century.

The story of Shinya Kimura, a creator of custom motorcycles which he designs with a unique philosophy of love, life and simplicity.

Year 2009 Northwest of the Peruvian jungle, near the border with Ecuador, a mining company enters the depths of the virgin forest in search for mineral resources, regardless of the damage it can cause. The entry is made with the approval of the government without the consent of the indigenous people living there Awajún. Known for their courage and bravery, the Awajún hold back the invaders; but in the struggle for their land, they are brutally beaten by the ultra-liberal government. Violence begets violence. Through a video workshop aimed at awajún, the director follows the trail of an irreparable injury.

The warping lens used to photograph 10th Avenue seems to puzzle the filmmakers.

Black & White, Short Film, United States, Silent.

Two words: Unicorn. Physician

In order to enjoy a romantic private swim together, Jo and Eddie hide when their local swimming pool is closing for the evening. But unknown to them, a killer is on the loose - and in the building with them.

Young kids face off in a dance competition.

The Internet is haunted at Morningwood Road, they must appease the ghost before she makes a meme of them all.

The Dead Man returns, but it's too late to save us. We are already dead.

The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.

This Vitaphone one-reel short, written by the author of "Show-Off", George Kelly

A former witch loses her son while shopping. Knowing evil forces are still lurking, she frantically searches for him, but comes across a discovery.

Bob and Rocket Dog's misadventures.

Diego the bicyclist waits to check into the PGI hotel, where each room's inhabitant seems more bizarre than the last, and the rabbits on the top floor have discovered the secret of voodoo, using electronics and carrots. Can the rare and unpredictable night of the carrots save everyone, or will their connections to the room's electrical sockets restrain them too much? Will Diego find love with an egg that speaks incessantly in German? Will the cellist, who is actually a room full of a gelatinous substance, affected in some way by buttons labeled K, G, and B, have dreams that explain everything? Or will the audience just leave scratching their heads? Not all questions get answered.