Evensong

France, 1792. Chenier is an idealistic poet, in love with the aristocratic Maddalena. While Chenier supports such notions as "liberte, fraternite egalite," his sympathies do not extend to the current Reign of Terror. Likewise, the Revolutionary Tribunal has no need for poets or their girlfriends, especially those judged to be an Enemy of the State. Heads will roll.

This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.

Alessandro Corbelli takes the title role in Annabel Arden's whirlwind production of Puccini's compact opera, in which the scheming Gianni Schicchi retrieves for himself the spoils of a disinherited family to pave the way for his daughter to marry her love.

New York comedian Alvy Singer falls in love with the ditsy Annie Hall.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Poor people who live in the slums in Rio de Janeiro decide to occupy an empty apartment building in the rich part of the city. Meanwhile, a rich girl falls in love with a poor composer. Based on the musical play "Pobre Menina Rica", by Vinícius de Moraes and Carlos Lyra.

Envy and conspiracy, but also passionate loves, jealousy, revenge and final forgiveness come together in the masterpiece of Verdi, which aroused the anger and prohibitions of censors of the time until the composer and librettist was compelled to make changes in it: from the original Sweden to far away Boston. The great Polish tenor Piotr Beczala returns to the Liceu with one of his opening credits, accompanied by the soprano Keri Alkema. Vincent Boussard’s sets reinforce the dark and mysterious atmosphere surrounding the piece, which features costumes by Christian Lacroix and Vincent Lemaire’s sober staging, which allows one to focus their attention on the dramatic core of the score. The cast, directed by a true specialist like Renato Palumbo, also presents a leader in Verdian song: Dolora Zajick.

The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.

Spain 1820. It's meal time at the cigar factory. Carmen spends her break in the square. Close by is Don José cleaning his weapons.

“Kaufmann is performing the title role for the first time, and it’s hard to imagine him bettered. His striking looks make him very much the Romantic and romanticised outsider of Giordano’s vision. His voice, with its dark, liquid tone, soars through the music with refined ease and intensity: all those grand declarations of passion, whether political or erotic, hit home with terrific immediacy.” – The Guardian Presented in its Covent Garden premiere in January 2015, this staging – directed by David McVicar and conducted by the Royal Opera’s Music Director, Sir Antonio Pappano – shows a bloody tricolour daubed with the words “Even Plato banned poets from his Republic” – written by Robespierre on the death warrant of the historical Chénier, a poet and journalist sent to the guillotine in 1794 for criticising France’s post-revolutionary government.

The French romance follows musician Dadju and his love story with the hypnotizing Ima. Dadju returns to his home city Kinshasa to perform in a concert. Laetitia is a big fan, but after she finds out that Dadju's concert is sold out, she relies on her father's connections with her boss Yavan to find extra tickets. Yavan invites Dadju to participate in a private concert. Seeking to seduce Laetitia's sister Ima, Yavan hosts the concert, but fate intervenes when Dadju falls in love with Ima at first sight.

The Loinaz siblings live off petty theft in refined environments. When they find out that Peret is going to shoot a movie in Marbella, the whole family moves their headquarters to Marbella.

A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.

The lives of two struggling musicians, who happen to be brothers, inevitably change when they team up with a beautiful, up-and-coming singer.

A prim and proper schoolgirl goes against her society grandmother's wishes when she dates a motorcycle-riding juvenile delinquent.

Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beňačková (Rusalka), Libuše Márová (Witch), René Tuček (Hunter).

Macbeth

The opera: Nina, o sia La Pazza Per Amore itself, is an extra-ordinary sad and touching story, and seems very difficult to be performed if the singer has no acting talents. Therefore we adore Cecilia Bartoli for the magnificent performance as the crazy Nina who lost her mind totally. Her magnificent singing, we don't doubt at all, but her acting is amazingly such that it expressed a real situation of a girl becoming crazy and losing her mind caused by painful incidents in her love life. It is also supported by the other singers who are singing matching as perfectly and splendidly as the diva Cecilia Bartoli, especially the baritone Laszlo Polgar with his deep rich voice as the cruel father who has remorse and came back to see his daughter Nina and the young tenor Jonas Kauffmann with his clear light voice, resulting in a surprisingly beautifully performed opera.

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.