Njaan

A television recording of a theatrical production of Alfred Jarry's absurd drama about the gluttonous, gluttonous, compulsive and unscrupulous Father Ubo, who, with the generous advice of his ambitious wife, gets rid of the Polish king and seizes his throne. He establishes a reign of terror in which he only cares about his own benefit, so it is not surprising that the people rebel against him. The recording was made at the end of July 1968 and, thanks to a copy saved from destruction during the normalization period, was first published in 1990.

Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weaknesses, to belittle the other's life, and to humiliate the other thoroughly.

The story of love struggles of 9 different couples, connected only by the complexity of human relationships.

Karutthamma, the daughter of a Hindu fisherman, falls in love with a Muslim fish trader. However, social prejudices seem to ruin their love life and invite the wrath of their communities.

Each is dependent on the other. He breaks into the passport office to get a passport. He is surprised and ends up back in prison, where he is trained in military drill. After his release, he once again lodges with relatives, his sister and brother-in-law. Wearing a second-hand captain's uniform, he first takes over a guard unit and uses it to occupy Köpenick town hall, where all the employees of the town council submit to the supposed captain. The mayor is promoted to Berlin and Voigt presents himself to the authorities a few days later. At first, everyone present laughs at the prank, but then Voigt is made aware of the legal consequences. He is sent back to prison, but shortly afterwards he is pardoned by the Emperor.

Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.

Rok na vsi

George Vadakkan is the quintessential prodigal son of a priest, who wished he followed the father’s path. His friends and George generally hang out at Mathayi Parambu, a public playground cum hangout space of the area. How the park plays a part in setting his life straight is the core of the pooram.

9-year-old Jewish boy Jimmy dresses up as a Sheep for a school play, much to the chagrin of his mother. On their way to school, Jimmy and his mother suffer through a series of unfortunate mishaps that see them in a state of stress and pushing for time.

A forest smuggle, lives in the jungle and smuggles sandalwood. He is also involved with other anti-social behaviour and forest controlling activities like robberies, dacoity, murders and drug pedalling. He consequently kidnaps an electrician Rahul and takes him to the jungle, forcing him to teach him how to make explosives. Rahul refuses to help create bombs and is subsequently falsely accused of murder. The rest of the story is about how Rahul proves his innocence to police investigators

From 2000 to 2007, Teat(r)o Oficina Uzyna Uzona worked on the staging of Euclides da Cunha's epic book, Os Sertões, which describes the 19th Century War of Canudos in the Brazilian "sertão," lead by Antônio Conselheiro. The final result was a pentalogy of plays. This forth play deals with the cause of the war, when a judge from Juazeiro stopped a shipment of wood that was paid for from being delivered for the construction of the New Church of Canudos. Three expeditions were sent by the National Army and defeated, the last one commanded by the famous Colonel Moreira César. The Army faced the humiliation of soldiers deserting and running away, and the impaling of Colonel Tamarindo. He ended up being the main character in a macabre installation on the road to Canudos, created by the Jagunços (thugs from the sertão) and the Mandrakes to intimidate new expeditions.

Britain is in crisis. An ineffectual Queen Cymbeline rules over a divided dystopian Britain. Consumed with grief at the death of two of her children, Cymbeline's judgment is clouded. When Innogen, the only living heir, marries her sweetheart Posthumus in secret, an enraged Cymbeline banishes him. Behind the throne, a power-hungry figure plots to seize power by murdering them both. In exile Innogen's husband is tricked into believing she has been unfaithful to him and in an act of impulsive jealousy begins a scheme to have her murdered. Warned of the danger, Innogen runs away from court in disguise and begins a journey fraught with danger that will eventually reunite Cymbeline with a long-lost heir and reconcile the young lovers.

A kind-hearted government employee in his forties, who spends most of his time with youngsters, selflessly intervenes in the problems of his near and dear ones.

Orgon and his mother swear by Tartuffe, the self-styled devout who lives off them. The other members of the family, scandalized by the clergyman's hold over them, will do anything to expose his hypocrisy. Michel Bouquet plays an almost monstrous Tartuffe, whose only weakness lies in his feelings for Elmire.

Comrade Krishna Kumar wants to make it big in politics but lacks the ideals a sakhavu should possess. He is ruthless enough to even get rid of friends who might be possible hurdles on his way up. His paths cross with that of a veteran comrade, sakhavu Krishnan and the film depicts how his life influences Krishna Kumar.

The lives of a vedic scholar Pattabhiramagiri and his family come under threat after a godman and his goons try to displace him from his centuries-old ancestral home as part of building an ashram. The “curse” that befalls Pattabhiraman in the face of opposition leaves him broken, till a mysterious ally lends him his support. Their fight against the evil forces forms the rest of the plot.

Daffadar is the story Ayyappan, a 65 years old honest, sincere, and compassionate security personnel (Daffadar) of the Collector for over 40 years. Evenafter his retirement he dresses as Daffadar and goes to the Collectorate every day

The story of the film goes through the time of H. Mehboob, who tell us the story of the slavers and Jews, who worked for the Dutch and Britishers who ruled over India. It tells us the songs of Cochin that go beyond caste, creed and nation.

A married woman, who has set aside her dreams for the sake of her husband and daughter, rediscovers her true self and becomes an achiever.

The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.