Medicine River

Wenn die Heide blüht

Years ago, the young Five Fingers fought for the rural town of Marseilles against brutal police oppression. Now, after fleeing in disgrace, Tau, one of them, returns to Marseilles, seeking only a peaceful life. When he finds the town under new threat, he must reluctantly fight to free it.

A story within a story within a story. In Australia's Northern Territory, an Aboriginal narrator tells a story about his ancestors on a goose hunt. A youngster on the hunt is being tempted to adultery with his elder brother's wife, so an elder tells him a story from the mythical past about how evil can slip in and cause havoc unless prevented by virtue according to customary tribal law.

A man who survived the war carries the will of his comrades in arms, walking across the country visiting the bereaved families.

After the closure of US Japanese Internment Camps at the end of World War II, a Japanese American family returns home and must find the strength to rebuild both their house and family amidst the emotional and physical destruction.

An immigrant returns home in Montenegro after spending years in America.

A man returns to a hacienda, lost in time and history, where, as a child or teenager, in his budding career as a writer, he left a typewriter stored away as a symbolic object. He goes to find it and unearth it. A return to the lost childhood in which his first creative impulses took root.

On the day that underground rapper Hak-soo fails his 7th audition, he receives a call from his hometown that his father is in the hospital. But he finds out that it was his father's plot to bring him to Byeon-san. To top it all, he is suspected as a phishing scam criminal and locked up in this small, boring suburb.

A young man returns home and spends the night trying to fulfill his father's dying wish for a proper burial.

Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.

First narrative polish film. The janitor sweeps the pavement in front of the tenement house. A carriage comes with a rather solidly inserted young man. He is well-dressed but has lost all his strength. Merry Fellow needs help.

Los Peques live somewhere in the Andean Patagonian mountain range of Neuquén, in houses called small 𝘳𝘶𝘬𝘢𝘴, which are a kind of tree hut and are built with materials given to them by Mother Nature. They have an organization, the Mapu Armies, they have nothing to do with wars, but with the care of nature. When the youngsters enter what is known as the awkward age, they are sent to watch remote areas so that they do not hang around.

Monica, a renowned choreographer, returns to Spain after a 20 year absence to see her sick father. Upon arriving her father has already died and her mother asks her to stay to sell the family home. In delaying her return to Buenos Aires Monica rediscovers her childhood landscapes and is forced to confront the past.

The great Ossetian poet, Kosta Khetagurov, returns from exile to his native village of Nar. Yet the joy of coming back to his homeland is short-lived: Nar is even poorer than it was before. The Aldars, princes who rule the villages with an iron fist, continue to act with impunity.

The carefree childhood existence of an Indigenous brother and sister is torn apart when the sister is forced to attend a Residential School far from home.

When her estranged, drifter husband Matt returns after spending seven years in prison to ask her to let him be a part of her life again, Rachel Kirby's life is thrown into turmoil, which also affects her teenage daughter and mother.

From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.

David, a struggling comedy writer fresh off from breaking up with his boyfriend, moves from New York City to Sacramento to help his sick mother. Living with his conservative father and much-younger sisters for the first time in ten years, he feels like a stranger in his childhood home. As his mother’s health declines, David frantically tries to extract meaning from this horrible experience and convince everyone (including himself) that he's "doing okay.”

The film portrays the anguish of an abandoned person and yet focuses on the process in which she grows more conscious of her true self. As she handles the foul giblets of slaughtered pigs, Sarah gets to realize that her real name is Jeong-ja. Every time she vomits, it seems as if the Jeong-ja inside her bursts forth. This short film shows what her real name is and who she really is. Her struggle ripens during the process of recovering her name.

In this horror/thriller spin on R&B, a serial killer breaks out of an insane asylum and heads back to the abandoned apartment where he and his late lover used to wreak havoc, only to discover she never really left.