Svend, Knud og Valdemar

A comedy known and loved by all, under the interpretation of the most famous actors of the Albanian National Theatre.

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.

Grace has agreed to marry Sir Harcourt in return for his financial support of her family. At a house party in her father's place, Harcourt's son Charles also falls in love with Grace. When his father appears on the scene, he has to convince him that there is a case of mistaken identity and he is somebody else. Then Lady Gay Spanker, a married woman also visiting at the house, is persuaded by Charles to seduce his father and thus divert his attention from Grace. Much confusion and scheming ensues.

New recording of the most succesful play of Prague's National Theater starring Miroslav Donutil. Goldoni's comedy "Servant of Two Masters" is typical example of classical "commedie dell'arte". Beatrice arrives in Venice dressed as her brother who was killed by her lover Florindo. Florindo also escapes from Tourine. Beatrice hires Truffaldino, a servant who also lets himself be hired by another master to get twice as much money and food. The second master is indeed Florindo, who coincidentally accomodates in the same hostel as Beatrice...

The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.

A wealthy Turk intends to establish an opera house in Smyrna with the help of opera lover Count Čipera. Opera singers are applying for the engagement, and the female singers are also fighting fiercely for the position of prima donna. The Turk has a weakness for women, but will he be the one to make the final decision? And how will this bold project turn out? A recording of a theater performance by Prague's Činoherní klub.

A psychological study of scenes from married and unmarried life, verging on the grotesque. A play about mutual attraction and insurmountable resistance between the sexes, about infidelity, emotional exaltation and hostile aridity, false self-images and ambitions, and wounded vanity. TV recording of a theatrical performance by Prague's Činoherní klub.

Spanky and Alfalfa want to do a show based on the "Aladdin's Lamp" story with Darla in the cast, but Darla doesn't want to participate.

Three married couples undergoing therapy are summoned by their female psychologist to a meeting. The psychologist won’t be attending the reunion herself, but she will give to them instructions about what they must do. Thus, to the sound of a horn (literally), the six protagonists will gradually air their dirty laundry concerning their relationships and bring up issues like taking care of the kids, the different home tasks, money, jealousy and sex, until it all leads to a most unexpected and equally shocking end.

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

Paul and Adèle were once lovers and separated but are still good friends, one year after everything seems to take them away from each other. The key of E may be the key of true friendship, but it is Mozart that pushes them apart.

Two delusional geriatrics reveal curious pasts, share a love of tuna and welcome a surprise guest in this filming of the popular Broadway comedy show.

These dueling one-act comedies highlight the work of playwright John Mortimer. In "The Dock Brief," an ill-prepared attorney is put to the test when his client confesses to killing his wife. In "What Shall We Tell Caroline?" a father with good intentions tries to protect his wife and daughter from the bad things in life.

Roberto Bolle smuggles himself as a stowaway on an ocean liner that of Hamburg gen New York sets sail. On board is also his lover Barbara Shadwell, whom he wants to marry, but who, at the request of her mother, the syrup millionaire Ceila Shadwell, should marry the oatmeal millionaire David.

Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weaknesses, to belittle the other's life, and to humiliate the other thoroughly.

Set in real-time over the opening night of a troubled production of Hamlet: a cast of narcissistic actors, incompetent stage-crew and a megalomaniac director collide behind-the-scenes of the ongoing show to give the audience a night they'll never forget.

A filmed stage play based on Kosta Trifkovic novel about mischievous girl who, together with her female cousin, makes fun of the whole bunch of her admirers.

The ups and downs in the lives and careers of a group of ambitious young actresses and show girls from disparate backgrounds brought together in a theatrical hostel.

Seven-time BAFTA Award-winner Steve Coogan plays four roles in the world premiere stage adaptation of Stanley Kubrick’s comedy masterpiece Dr. Strangelove. This explosively funny satire, about a rogue U.S General who triggers a nuclear attack. Based on the motion picture directed by Stanley Kubrick, screenplay by Stanley Kubrick, Terry Southern and Peter George, based on the book 'Red Alert' by Peter George.