Outrage

The exploration of a part of the world of drag as seen through the eyes of its queens, with their presentations, performances, experiences and especially their vanity, glitz and talent.

The worlds of a former neo-Nazi and the gay victim of his senseless hate crime attack collide by chance 25 years after the incident that dramatically shaped both of their lives. They proceed to embark on a journey of forgiveness that challenges both to grapple with their beliefs and fears, eventually leading to an improbable collaboration...and friendship.

They were called "the 175s". These men were sometimes arrested while making love, often at work, or the police picked them up from home. A few hours later, they were often already in custody, and it was usually not long before they were dismissed by their employer. Their crime: consensual sex between adult men. This was a violation of Paragraph 175, which stated that "unnatural fornication committed between persons of the male sex" was punishable by imprisonment. This is what the German Criminal Code said when it was introduced in 1871.

In Search of Avery Willard iIlluminates the life and work of the groundbreaking, and mostly forgotten, artist Avery Willard — photographer, filmmaker, writer, publisher, leatherman, pornographer.

In 1996, electric cars began to appear on roads all over California. They were quiet and fast, produced no exhaust, and ran without gasoline... Ten years later, these cars were destroyed.

Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.

This 2005 documentary film chronicles the life of Daniel Johnston, a manic-depressive genius singer/songwriter/artist, from childhood up to the present, with an emphasis on his mental illness and how it manifested itself in demonic self-obsession.

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

Aida Santos Maranan is a poet, writer, teacher, feminist and NGO worker. In 1983, she co-founded the Katipunan ng Kababaihan para sa Kalayaan (KALAYAAN), one of the first feminist groups in the country, and other women's groups and initiatives. Aida was Imprisoned during the martial law years and remains active in human rights activism.

The only thing colder than a Canadian winter is Canadian bureaucracy (probably). Based on five real life stories, Romy Boutin St-Pierre and Joe Nadeau pay homage to the nation-wide stress headache of phone calls with the government in this surprising short.

A documentary that follows five British teenagers as they come out, capturing intimate first-hand experiences, and empathizing with them as they seek acceptance for their sexuality. From the 14-year-old footballer who describes herself as a ‘butch lesbian’ to the transgender boy forced out of home and school, the program features a cross-section of characters. Intimate, confessional, and raw, the film celebrates their bravery and exposes the ostracism and bullying they can suffer.

Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making “collective masks” in workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.

The hotel Gondolín is home to some 30 transvestites who practice prostitution as the only option to survive in a society that excludes them.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Spotlighting the art of drag, and centered on the New York staple Wigstock, this documentary showcases the personalities and performances that inform the ways we understand queerness, art and identity today.

Seizing her power as she confronts her mortality, trailblazing trans activist Connie Norman evolves as an irrepressible, challenging and soulful voice for the AIDS and queer communities of early 90's Los Angeles.

It is late 2004, and 34-year-old Englishman Alistair Appleton is about to fly from London to the Brazilian coast, where he will drink ayahuasca for the first time. With wit, insight, and sensitivity, Alistair shares this experience with us, and chats with some fellow participants before and after the ayahuasca ceremonies. For the past few years, Alistair had been working as a television presenter. In 2000, he started making trips to the Centre for World Peace and Health in Scotland to learn how to meditate. When clinical psychologist Silvia Polivoy opened an ayahuasca healing center in Bahia in 2004, Alistair faced his fears and seized the opportunity to attend.

Through the spoken stories and testimonies of 4 LGBTQ+ people over 40 years old about their lives, their joys, their hopes, their struggles, and their advice, this documentary aims to contribute to an archive, to the construction of a queer history. But also to the bridging of the communication gap between generations, showing young queer people that it is possible to have a long and happy life. What are the differences and similarities between their lived experience and the one of younger LGBTQ+ people? What can we learn from them and what should we aim to overcome? What links unify this 'community' and what debates split through it? But more than anything: what does it mean to grow old whilst being gay, lesbian, bi, trans, non-binary...? What does that look like? What does the future, which is sometimes so complicated to imagine, have on hold for us?

For decades, a nice Jewish couple ran Circus of Books, a porn shop and epicenter for gay LA. Their director daughter documents their life and times.

"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets." (Kathleen Pirrie Adams, Xtra)