Rattlesnake in a Cooler

Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.

The love story of the famous ballet dancer Mathilde Kschessinska and Tsar Nicholas II of Russia.

Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends -- Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.

Shot on Super 8, Aunty CB is a memory montage of a woman’s stream of consciousness and her honest introspection surrounding gendered family dynamics and childhood trauma. Framed as a confessional monologue, Singlish, Hokkien, and English are employed to capture a linguistic and vernacular portrait of the eponymous character.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show.

Abandoned by his parents, a boy takes care of his younger brother Mattie as they fend for themselves in a council house in Sheffield. When the authorities come to take Mattie away, a desperation to retain control forces the boy to take Mattie and go on the run.

During the quarantine, some dedicated students have decided to adapt an Eugen Ionesco play into a short film. They all filmed themselves at home. This version isn't looking for coherence. The only 3 characters of the play are portrayed by many actors which have all provided a different view over their essence and mannerism.

A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?

James Lapine's tribute to a life in the theater based on Moss Hart's autobiography of the same name, starring Tony Shalhoub and Andrea Martin. The play, narrated by an older Moss Hart, traces his life from being poor in The Bronx to becoming famous and successful as a Broadway writer and director.

The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.

Troy, the popular captain of the basketball team, and Gabriella, the brainy and beautiful member of the academic club, break all the rules of East High society when they secretly audition for the leads in the school's musical. As they reach for the stars and follow their dreams, everyone learns about acceptance, teamwork, and being yourself.

A new version for younger audiences by Bijan Sheibani and Ben Power. Originally staged as part of the National Theatre’s Shakespeare for younger audiences programme. This archival recording was captured in 2017. This contemporary production sees a company of eight tell the most famous love story of all time, set against a vivid urban backdrop bursting with excitement, colour, dance and song. A swift, contemporary celebration of Shakespeare’s masterpiece, Bijan Sheibani’s thrilling production brings Romeo and Juliet to life for a new generation.

Cicada is the immersive story of a five-year-old child who witnessed a murder. Daniel P Jones confronts a traumatic memory in an incendiary, visceral monologue.

There are incredible things on the South Sea island of Titiwu: Professor Habakuk Tibatong has taught some animals to speak. For example, the pig lady Wutz, the quirky shoebill Schusch, the lively penguin Ping and the monitor lizard Wawa. On the rocky reef, the sea fan is always singing his "traurägän Lädär", and then there is the orphan Tim Tintenklecks. Everyone lives in peace and tranquillity - until the Urmel appears ...

Owen, the prodigal son, returns to rural Donegal from Dublin. With him are two British army officers. Their ambition is to create a map of the area, replacing the Gaelic names with English. It is an administrative act with radical consequences.

One night, Andie, figurehead of a four friends group, plans out her death in front of all her relatives. Through a broken monologue, Andie reveals her deep thoughts about each person she has harmed. This staging destabilizes the group and questions the links previously made. While each member of the gang tries to regain control of the group, both emotionally and physically, a fifth person interferes from the outside and comes to stir up chaos.

Deformed since birth, a bitter man known only as The Phantom lives in the sewers underneath the Paris Opera House. He falls in love with the obscure chorus singer Christine, and privately tutors her while terrorizing the rest of the crew.

Li's first directorial work in Hong Kong is adapted, by himself, from the Hollywood movie The Great Lie (1941) starring Bette Davis. When a husband disappears in an accident, the wife is dismayed by a social butterfly pregnant with her husband's child. To preserve the husband's blood line, the wife takes care of the expectant mother and raises the child. Featuring the two ravishing beauties Li Lihua and Sun Jinglu, Our Husband foregoes juicy feuds between the leads and delivers an allegorical message: parents should provide an ideal environment for the next generation. Addressing the rocky times in China, it is equally overt in its remonstration as Yung Hwa's earlier works, The Soul of China and Sorrows of the Forbidden City.

In the aftermath of a nuclear disaster, a starving family find hope in a charismatic hotel owner. Lured by the prospect of a free dinner, they discover that the evening's entertainment blurs the lines between performance and reality. Will they wind up the spectators or the spectacle?