Tapasya

Hired as a monkey repeller upon moving to Delhi, a young man struggles to find his footing in his unenviable job and his place in the unforgiving world.

A widow faces scorn from neighbors and family when she chooses an independent lifestyle.

Sweetiee Weds NRI is a Bollywood comedy movie, directed by Hasnain Hyderabadawala and Written by Creative Director Tariq Mohammad. The movie stars Himansh Kohli, Zoya Afroz, Darshan Jariwalla and Kiran Joneja in lead roles.

When his wife makes a vow to abort their baby due to his alcoholism, Gannu, the biggest loafer of Jagodhar sets out on a protest to ban alcohol in his town all the while grappling with his own drinking habits!

This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.

A jaded forest officer leads a team of trackers and locals intending to capture an unsettled tigress while battling intense obstacles and pressures, both natural and man-made.

Living by the railway tracks, a homeless man makes his living by selling novelty items at the busy traffic signals on the streets of Mumbai. The high point of his existence is passing a restaurant that serves the food he dreams of. One day he gets an opportunity to fulfil his life's big desire.

Laxmi Devi is a strict mother having two daughters named Leena and Isha. She wants them to get married in a prosperous and rich family with two brothers so that they can be together for life. But two orphaned boys named Omi and Vikram Doshi who are thieves by profession, fall for these two sisters. Now Laxmi Devi wants to control the fate of her daughters but can she do this?

In a small village in Darjeeling, Sahuji the merchant has weaved a web of corruption in every layers of the social fabric. And he is also involved in rampant smuggling of goods across the border, and everyone from the local jeweler to the local police inspector are part of his intricate web. While the father has created a position of influence by spreading corruption, his son Kaaliram has ushered in a reign of terror. Desperate villagers make a plea to the owner of the tea garden, who calls (presumably) the higher ups in police force and they promise to send someone.

High-school sweethearts Suraj Maali and Janvi Singh are well aware of their diverse socio-economic backgrounds and so, the young lovers opt for marriage by elopement. This, in turn, conjures up a storm the couple isn't prepared for.

A young law student finds his strongly held ideals clashing with the work he has to undertake, leading to a crisis of confidence in this 2001 Bollywood feature from director Ashok Mehta.

Simrita, a doctor, performs her first surgery on Viraj, a man she hates. She soon realises that she accidentally left her watch inside his body and must do whatever it takes to save her career.

Aye Zindagi follows the journey of a 28-year-old liver cirrhosis patient Vinay Chawla whose unlikely bond with a hospital grief counsellor Revathi, rekindles his hope and faith in life and makes him believe in the power of humanity

This warmhearted comedy takes place in a household completely dominated by Durga Bhatnagar, an imposing matriarch who's desperate for a grandson and heir.

Inspired from true stories, Siraj, a righteous, impoverished flute maker, resides at the edge of the forests of Pilibhit, North India, where man eating tigers thrive. His mounting livelihood pressures and tragedies corner him to take a drastic measure that threatens to tear down his values and a loved one.

Shirish and Geeta, a middle class couple, have a car accident one night. Their differing reactions to the fallout from the accident open up fissures in their relationship and puts to test their values and beliefs.

The Film revolves around life and struggle of Farmer, who has to pay his electricity bill and is tired of dealing with the corrupt systems in bureaucracy and politics in India.

Saanjh marks the debut of Producer and Director, Ajay K Saklani, who, through this movie attempts to bring to the fore the lesser known Himachali language and tries to revive the almost forgotten Tankri Script. Saanjh is the first feature film to have been made and released in the Western Himalayan/ Pahari language. The serenity of village life amidst the Himalayas reaches the peak of sublimity as the visual tour is accompanied by some of the most melodious songs rendered by Mohit Chauhan and Pavithra Chari which strike the heart strings of even those who are unfamiliar with the Pahari dialect. The movie provides a perfect audio-visual setting for a beautiful confluence of the emotional journeys of a daughter, a mother and an orphaned boy as the sun sets on their lives and dusk sets in. Saanjh was the first film in Himachali dialect to be released in cinema halls across India.

Inspector Abhay Rathod is a honest and diligent Police Inspector employed with Bombay Police. He was assigned the case of racketeer and criminal don, Shekhar Mohan. Abhay successfully entraps and arrests him, and has him sentenced to a long jail term. Years later, Abhay is now the Assistant Commissioner of Police; is married, and has a son named Chirag; and Shekhar Mohan has completed his jail term and is looking to seek vengeance against Abhay. He does so by kidnapping Chirag and taking him along with him. He object is not to seek any ransom money, but attempt to separate the child from his parents, as well as attempt to make a place in his heart. Shekhar finds out that Chirag loves racing and takes him on various race courses where the child is thrilled to watch fast sport cars, and soon starts a friendship with "Uncle" Shekhar. But with Abhay and the police closing in fast, will Shekhar and Chirag be able to maintain their friendship?

Ashfaque (Ajay Devgan) is a small town boy aspiring to be a film star in the Hindi film industry. He joins a street theatre group run by a reformed dacoit Sidhu (Pankaj Kapur) who uses street theatre as a medium to bring about an awakening in the masses. Ashfaque struggles to give a creative vent to the actor in him in order to realize his dreams.