Collinsville Trade Day, 1988

Pontormo and Punks at Santa Croce

Written and directed by Jason Young (Animals, Inside Time), Gun Killers takes us into the rural, secluded paradise that retired blacksmiths John and Nancy Little call home. As the tranquil light of a typical day of harvesting vegetables descends into night, we experience the secret work that John and Nancy are sometimes called upon to undertake for the RCMP.

Tommy’s Train is a story about imagination, drive, and the power of a dream. Once existing as a tourist attraction in the city of Anacortes, Washington, Tommy Thompson’s Railway ran every summer from 1987 until 1999. The genuine steam locomotive and coaches were all hand built by Tommy in his garage workshop, and he maintained and operated the railway with his family.

Řečtí umělci

Rolling Stones – Hearts for Prague

Krvavý Bagrám

Film historians examines the making of the 1938 "The Adventures of Robin Hood."

A documentary charting the rise and fall (and inevitable undead rise) of fictional killer Jason Vorhees from the Friday the 13th series, which takes in the "video nasty" phenomenon in general.

The starting point of this film was a set of 35mm trailers acquired from various abandoned cinemas. This work reveals the veiled and forgotten images used by the commercial film industry.

An abstract film, with which Pansini attempted "Malevichean" reduction. It is a blank, an empty film reel with coloristic and toned global changes, nothing more.

Vertiginous documentary, shot in effective black-and-white, treats two painful histories. The first is a love story about a truck driver who, on his way from Johannesburg (South Africa) to Luderitz (Namibia), is haunted by thoughts of his girlfriend and their recently severed relationship. His memories are expressed in an often recurring scene, in which songs by Alec Empire, Macy Gray and Robert Schumann roughly tell the story. This small history is alternated with the tragic fate of the Namibian Heroro people, many thousands of whom died early last century in concentration camps that had been set up by the German colonisers near Luderitz. The depiction of this history is cruder and more poignant, with slanting frames, odd camera angles and a multi-layered sound sculpture. The dilapidated barracks and officers' quarters are the last remnants of the miscarried, so-called civilisation projects in Africa.

An opening narration explaining that the film's purpose is to examine the "world strategy of food", in terms of its production, distribution and consumption. The film is then divided into three parts: "Food - As It Was", "Food - As It Is" and "Food - As It Might Be".

The film "2006-1982 = 114 ans / Jahre" is part of a larger film project based on a 114-year-old event: As part of an expedition led by German officer Hans Ramsay into the so-called hinterland of Cameroon, the chief of the Yambassa, Bisselé Akaba, abducted and executed. He is the great-grandfather of Moise Merlin Mabouna. The video is less intended to contribute to a comprehensive account of history than to question the contexts of forms of knowledge and memory where representations become plausible and powerful. Here, the return of the Ndjaman to Brandenburg promises a future that will be post-colonial because it transcontinentalizes the voice of its history and has the construction of a 'here' and a 'elsewhere'.

Nature, gymnastic movements, a cat...

Glen Denny observed: "This film is not ocean, it is panther stalking jungle." Camera flows because it is free to move through space.

Fluidity of stone. Subatomic motion asserting a surface. Mind loop wandering. Visitation of sound matrix. Liquid solid. Nature transforms a planetary cycle. Relations of a timeless void.

Shadowlands is an animated short film about darkness that won't let go. About the constant fear that something terrible might happen. It describes a journey into the inner world and psyche of a young person in distress, a world far from "normal".

"Society is a carnivorous flower" - About activists in the student revolt in May 1968. Archive footage shows police entering the Sorbonne, street fighting, meetings and demonstrations. Many interviewees testify to police violence and abuses.

Carl Johan De Geer remembers his old friend Lena Svedberg. He talks about how they used to make their magazine together, how beautiful but strange she drew and how bad she seemed to feel.

Based on the text of Ratgeb / Raoul Vaneigem "Have you ever felt the same disgust and weariness outside the workplace as at the factory? Have you ever felt the desire to destroy a distribution plant (supermarket, big box store, warehouse) by fire? At the first opportunity, do you intend to smash your boss or anyone who treats you as a subordinate? Are you sickened by the systematic destruction of the countryside and the urban landscape? "