MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.
Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.
This sex education movie explore themes of body development, sexual hygiene, masturbation, menstruation, puberty, sex and giving birth.
Abortion clinics in Texas are disappearing exponentially and healthcare providers are feeling the brunt. The Provider follows the story of abortion provider Dr. Shannon Carr who travels every week from New Mexico to Dallas in order to perform abortions despite restrictive laws and threats to her safety. Continue to share her story and follow our latest documentary series as we try to capture these stories and influence change before all abortion clinics in the US cease to exist
Two Lawalapiti young men from Alto Xingu learn to build a canoe from the bark of the jatobá tree, a quick and simple technique that leaves the tree still rooted and alive, and that has ceased to be used and is only known by the oldest Lawalapiti men.
Slovenský žalmista Pavol Országh Hviezdoslav
The sights and sounds of a kimchi factory in Vietnam.
A short documentary film about the director's relationship with his deceased grandfather.
The film sheds light on the problems at school, the difficulties foreign youngsters have in finding their way between two cultures and languages, the impossibility of exercising the right to a good education.
Angela Davis visiting the German Democratic Republic. A film about the people she met and her impressions.
After a near-death experience, a person floats in a mysterious space, gradually being reborn by reconnecting with the sensations of their body.
This short film is a metaphore for the destruction of the indian culture by the 'white man'.
Les Indes Galantes (The amorous indies), is an opera-ballet created by Jean Philippe Rameau in 1735. He was inspired for one of the dance by tribal Indian dances of Louisiana performed by Metchigaema chiefs, in Paris in 1723. Clément Cogitore adapts a short part of the ballet by mobilizing a group of Krump dancers, an art form born in Los Angeles black ghetto in the 1990s. Its birth occurred in the aftermath of the beating up of Rodney King and the riots, as well as police repression it triggered. Amidst this coercive atmosphere, young dancers started to embody the violent tensions of the physical, social and political body. Both the tribal dance performed in Paris in 1723, and the rebelious Krump dancers of the 1990s shape a reenactment of Rameau’s original libretto, staging young people dancing on the verge of a volcano.
This fascinating record of Edwardian Nottingham was filmed from the driver's platform of a tram on a single journey through the city centre between its two main stations. The sequence follows the same route as today's Nottingham Express Transit tramway, taking the viewer along Listergate and Wheelergate into Old Market Square before turning right into Long Row and on into Queen Street.
How to make the most of a defeat. How to make money from Napoleon's fiasco at Waterloo.
A short piece that looks at the 2012 film's ensemble cast and the strengths they brought to the project.
Blind from birth, Dr G Yunupingu found his identity through song and the haunting voice that has already become legend. His debut album introduced Australia to the Songlines and culture of his Elcho Island community, but now Dr G Yunupingu finds himself increasingly torn between city and country, present and past, self and the community to which he owes so much.
Claustrophobic portrait of a docile rural wife's daily routine.
Sr. Raposo is a staged documentary about the daily life of Acácio, who found out he was HIV+ in 1995.
A resilient crop-farmer endeavours to preserve his land, legacy and way of life in the face of Australia’s ongoing ‘big dry’.